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1986 Kennedy Half Dollar

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1986 Kennedy Half Dollar1986 Half Dollar

1986-S Kennedy Half Dollar

The circulation mintage took a noticeable decline with the 1986 Kennedy Half Dollar. The Philadelphia Mint struck 13,107,633 coins, while the Denver Mint struck 15,336,145.

For many years, the demand for the denomination had been falling as half dollars were not widely used within circulation. For the remainder of the series, mintages would remain extremely low until the US Mint eventually stopped minting the coins for circulation altogether. In the following year, this situation occurred for a single year when production of the denomination was restricted to the number necessary for inclusion in US Mint Sets.

Proof versions of the coin were struck at the San Francisco Mint and contain the “S” mint mark. The mintage for this version remained relatively steady at 3,010,497.

1986 Kennedy Half Dollar Mintage and Specifications
Circulation Mintage: 13,107,633 (Philadelphia), 15,336,145 (Denver)
Proof Mintage: 3,010,497
Mint Marks: P (Philadelphia), D (Denver), S (San Francisco)
Composition: 91.67% copper, 8.33% nickel
Weight: 11.34 grams
Diameter: 30.61 mm

1980-1989 Kennedy Half Dollars
The Kennedy Half Dollar coins issued between 1980 and 1989 had generally lower mintages than earlier years of the series. By this point, the half dollar denomination was experiencing less robust circulation and fewer coins were required to be minted each year.
  For collectors, the 1982 and 1983 half dollars can sometimes be more difficult to find in uncirculated grades. For these two years the US Mint did not issue the annual mint set, which has typically served as a source for uncirculated examples for other years of the series. Accordingly, individual examples and rolls for these two years command premiums.
  Another notable year for collectors occurred with the 1987 issues, which were only produced for inclusion in US Mint Sets. This was similar to what had occurred in 1970, although heavier ordering makes the 1987 Kennedy Half Dollars worth less by comparison.
  Proof versions of the half dollar struck during the 1980’s are generally more abundant than other years and usually available in high grades. Later proof issues would eventually prove more valuable due to lower mintages.

1980 Kennedy Half Dollar      1981 Kennedy Half Dollar     1982 Kennedy Half Dollar

1983 Kennedy Half Dollar     1984 Kennedy Half Dollar      1985 Kennedy Half Dollar

1986 Kennedy Half Dollar      1987 Kennedy Half Dollar      1988 Kennedy Half Dollar


1998-S Silver Matte Proof Kennedy Half Dollar

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1998 Kennedy Half Dollar1998-S Silver Matte Proof Kennedy Half Dollar

1998-S Silver Matte Proof Kennedy Half Dollar

During 1998, the United States Mint offered the Kennedy Collector’s Set, which contained the low mintage 1998-S Matte Proof Kennedy Half Dollar. The set was the only source for collectors to obtain this special issue and it was only available to order during a six week period.
  The Kennedy Collector’s Set was produced as an extra special tribute to Robert F. Kennedy, who was being honored within a commemorative coin program. Each set included the uncirculated version of the 1998 Robert F. Kennedy Silver Dollar and a 90% silver Kennedy Half Dollar struck with a special finish.
  The so called “matte finish” used for the half dollar required two extra steps in the minting process. The face of the coinage dies were sandblasted with a mixture of glass beads and aluminum oxide and the a hard chrome plate was added for hardness and lubricity. The resulting coins had a uniform finely frosted texture, similar to an uncirculated commemorative coin issue.
  Because the matte proof Kennedy Half Dollar was only offered within the set, it had a low mintage of about 62,000 coins. The Kennedy Collector’s Set was originally priced at $59.95, but today the half dollar is valued at multiples of the original issue price and is considered to be one of the key date coins of the series. Most examples will be encountered in pristine uncirculated grades due to the special minting and handling procedures. Many coins have been encapsulated and graded by PCGS or NGC in top grades of MS70 or SP70.

1998 Kennedy Half Dollar
The 1998 Kennedy Half Dollar saw mintages decline for the circulation strike versions produced at the Philadelphia and Denver Mints. Each saw mintages of around 15 million coins, compared to around 20 million for the prior year.
  In addition to the clad proof and 90% silver proof versions, a special collector version of the coin was also available this year. The 1998 Matte Proof Kennedy Half Dollar was included in a the Kennedy Collector’s Set issued for the commemorative coin program honoring Robert F. Kennedy. Due to the limited number of sets sold, the matte proof coin has a low mintage and is considered one of the modern keys of the series.

1998 Kennedy Half Dollar Mintage and Specifications
Circulation Mintage: 15,646,000 (Philadelphia), 15,064,000 (Denver)
Proof Mintage: 2,086,507 (copper-nickel), 878,792 (silver proof)
Mint Marks: P (Philadelphia), D (Denver), S (San Francisco)
Composition: 91.67% copper, 8.33% nickel (standard) / 90% silver, 10% copper (silver proof)
Weight: 11.34 grams (standard) / 12.50 grams (silver proof)
Diameter: 30.61 mm

1990-1999 Kennedy Half Dollars
The Kennedy Half Dollar series saw collectible offerings expand during the years 1990 to 1999. After many years of a standard proof version and two issues struck for circulation, a third annual release was added to the mix. Additionally, a one-time special issue was offered as part of a commemorative coin set.
  Starting in 1992, the US Mint began issuing a Silver Proof Set. These sets included the half dollar, quarter, and dime struck in a composition of 90% silver and 10% copper. The offering was met with success and continued to be issued for each subsequent year, creating a new regular issue for each coin series. Some of the 90% Silver Proof Kennedy Half Dollars issued during the mid-1990’s had very low mintages which result in high premiums.
  In 1998, the US Mint issued commemorative coins to honor Robert F. Kennedy. A special set was issued which included the commemorative coin paired with the half dollar featuring John F. Kennedy. The half dollar was produced using a special matte proof finish. Because of the small number of sets issued, this has become a valuable collector coin.

1990 Kennedy Half Dollar        1991 Kennedy Half Dollar        1992 Kennedy Half Dollar

1993 Kennedy Half Dollar        1994 Kennedy Half Dollar        1995 Kennedy Half Dollar

1996 Kennedy Half Dollar        1997 Kennedy Half Dollar        1998 Kennedy Half Dollar

2014 50th Anniversary Kennedy Half Dollar Silver Coin

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2014 Kennedy Half Dollar Silver Coin2014 50th Anniversary Kennedy Half Dollar Silver Coin

2014 50th Anniversary Kennedy Half Dollar Silver Coin 

Obverse: The design shows a portrait of President John Fitzgerald Kennedy, the youngest person ever elected to the office. U.S. Mint Sculptor–Engraver Gilroy Roberts based this profile on a portrait prepared for Kennedy’s presidential medal. Roberts created his original 1964 design shortly after Kennedy's assassination.

Reverse: The design is based on the Presidential Seal and was done by U.S. Mint Sculptor–Engraver Frank Gasparro. It consists of a heraldic eagle with a shield on its breast, holding a symbolic olive branch and a bundle of 13 arrows. A ring of 50 stars surrounds the design, which gives this coin the distinction of having more stars than any other United States coin ever produced for circulation.

2014 Kennedy Half Dollar Mintage and Specifications
Circulation Mintage: 2,500,000 (Philadelphia), 2,100,000 (Denver)
Proof Mintage: TBD (copper-nickel), TBD (silver proof)
Mint Marks: P (Philadelphia), D (Denver), S (San Francisco)
Composition: 91.67% copper, 8.33% nickel (standard) / 90% silver, 10% copper (silver proof)
Weight: 11.34 grams (standard) / 12.50 grams (silver proof)
Diameter: 30.61 mm

To celebrate the 50th anniversary of the series, the United States Mint offered three special products incorporating 2014 Kennedy Half Dollars from a different mint facilities and across a variety of finishes. The specially issued coins featured the original obverse portrait of President Kennedy designed by Gilroy Roberts. During the year, standard versions of the half dollar were also released bearing the modern portrait design.
  Over the years, the design of the Kennedy Half Dollar had undergone a series of tweaks and modifications that left the modern appearance very different than the original. The idea to restore the original portrait was first suggested by San Francisco Mint employee Michael Levin and would be implemented for the 50th anniversary of the series. The obverse portrait was restored by scanning and digitizing a bronze galvano and an original die  from the 1964 Kennedy Half Dollar and creating a new basin from the 1964 hub basin curvature.
  The restored obverse portrait would be used across seven different coins included in three different 50th anniversary products. The two-coin Uncirculated Coin Set included standard composition half dollars from the Philadelphia and Denver Mints with an uncirculated finish. The four-coin Silver Coin Collection included 90% silver half dollars from four different mint facilities with four different finishes. A three-quarter ounce 24 karat gold proof coin struck at the West Point Mint was also available.
  Prior to the release of the special anniversary products, the US Mint had offered the standard product offerings for the including 2014 Kennedy Half Dollars with the regular modern obverse portrait. Two roll sets and 200-coin bags containing circulating quality half dollars from the Philadelphia and Denver Mint went on sale February 13, 2014. These were priced at $32.95 per two roll set and $139.95 per 200-coin bag.
  The annual sets issued for the year contained the 2014-S Proof Kennedy Half Dollars with the modern portrait. The standard composition proof coins were included in the 2014 Proof Set as well as other 2014 celebration sets. The 90% proof composition coins were included within the 2014 Silver Proof Set and the 2014 Limited Edition Silver Proof Set, which was actually released in 2015.
  Lastly, uncirculated quality half dollars with the modern portrait were included within the 2014 Uncirculated Coin Set. These coins feature a superior finish to the circulating quality examples released in bags and rolls, but are not typically identified as a separate issue.

2010 to present Kennedy Half Dollar
The Kennedy Half Dollar continued to be produced exclusively for coin collectors and not released for general circulation during the era from 2010 to present. There would be some excitement in 2014 when special products were issued to mark the 50th anniversary of the series.
  The standard offerings for the half dollar had consisted of circulating quality coins packaged in numismatic bags and rolls. Collectors could purchase the coins directly from the United States Mint at a modest premium to face value. Mintage levels remained low since the coins were only produced in the amount needed to satisfy collector demand.
  Additional numismatic versions of the Kennedy Half Dollar included the standard composition proof as well as a 90% silver proof struck at the San Francisco Mint and carrying the “S” mint mark. Traditionally, these coins were only available within the annual Proof Set and Mint Set. In some years, additional annual sets would incorporate the coins.
  In 2014, the Mint offered three special products to celebrate the 50th anniversary of the series. Each of the products contained coins exclusive to the sets, in standard copper-nickel clad, 90% silver, and 24 karat gold compositions. These products also marked the restoration of the original portrait design by Gilroy Roberts.

2010 Kennedy Half Dollar      2011 Kennedy Half Dollar      2012 Kennedy Half Dollar
2013 Kennedy Half Dollar      2014 Kennedy Half Dollar
Kennedy Half Dollar 2014 50th Anniversary Uncirculated Coin Set
Kennedy Half Dollar 2014 50th Anniversary Silver Coin Collection
2015 Kennedy Half Dollar
Kennedy Half Dollar 2014 50th Anniversary Silver Coin Collection

Kennedy 2014 Half Dollar Gold Coin

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John Fitzgerald Kennedy50th Anniversary Kennedy 2014 Half-Dollar Gold Coin
50th Anniversary Kennedy 2014 Half-Dollar Gold Coin

  The 2014 50th Anniversary Kennedy Half Dollar Gold Proof Coin is the first gold half dollar offered by the U.S. Mint. Each coin contains 3/4 troy ounce of pure, 24–karat gold and is struck with a proof finish at the U.S. Mint at West Point, New York.
  The raised Kennedy profile is frosted and appears to float on the mirror–like background.
  The coins are encapsulated and packaged in a single custom–designed, brown mahogany hardwood presentation case with removable coin well and are accompanied by a Certificate of Authenticity.

Obverse: A portrait of John Fitzgerald Kennedy, the youngest–ever–elected president. U.S. Mint Chief Engraver Gilroy Roberts based this profile on a portrait prepared for Kennedy’s presidential medal.

Reverse: Based on the Presidential Seal and was created by U.S. Mint Sculptor–Engraver Frank Gasparro. It consists of a heraldic eagle with a shield on its breast holding a symbolic olive branch and bundle of 13 arrows. It features the inscriptions “UNITED STATES OF AMERICA, HALF DOLLAR” and “ 3/4 OZ. .9999 FINE GOLD.” A ring of 50 stars surrounds the design, which gives this coin the distinction of having more stars than any other U.S. coin ever produced for circulation.

First Gold Half Dollar Offered by the U.S. Mint.
Features the original 1964 Kennedy Half Dollar Obverse Design.
Three–Quarter Ounce of Pure, 24–Karat Gold.

Denomination:Half–Dollar.
Quality:Proof.
Composition:99.99% Gold.
Weight:0.7500 troy oz.
Diameter:1.205 inches (30.61 mm).
Edge:Reeded.
Mint:West Point.
Mint Mark:W.
Mintage Limit: 75000.

Kennedy Half Dollar 2014 50th Anniversary Gold Proof Coin

2010 to present Kennedy Half Dollar
The Kennedy Half Dollar continued to be produced exclusively for coin collectors and not released for general circulation during the era from 2010 to present. There would be some excitement in 2014 when special products were issued to mark the 50th anniversary of the series.
  The standard offerings for the half dollar had consisted of circulating quality coins packaged in numismatic bags and rolls. Collectors could purchase the coins directly from the United States Mint at a modest premium to face value. Mintage levels remained low since the coins were only produced in the amount needed to satisfy collector demand.
  Additional numismatic versions of the Kennedy Half Dollar included the standard composition proof as well as a 90% silver proof struck at the San Francisco Mint and carrying the “S” mint mark. Traditionally, these coins were only available within the annual Proof Set and Mint Set. In some years, additional annual sets would incorporate the coins.
  In 2014, the Mint offered three special products to celebrate the 50th anniversary of the series. Each of the products contained coins exclusive to the sets, in standard copper-nickel clad, 90% silver, and 24 karat gold compositions. These products also marked the restoration of the original portrait design by Gilroy Roberts.

2010 Kennedy Half Dollar      2011 Kennedy Half Dollar      2012 Kennedy Half Dollar
2013 Kennedy Half Dollar      2014 Kennedy Half Dollar
Kennedy Half Dollar 2014 50th Anniversary Uncirculated Coin Set
Kennedy Half Dollar 2014 50th Anniversary Gold Proof Coin

US Philippines Wilson Dollar in Gold 1920

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Woodrow Wilson, President of the United StatesUS Philippines Wilson Dollar in Gold 1920


US Philippines Wilson Dollar in Gold 1920
Struck to commemorate the opening of the Manila mint, July 16th, 1920. mintage 5 pieces.

  The focus of this article is the official United States medal, as sold to collectors in 1920, depicting President Woodrow Wilson and commemorating the opening of a branch Mint of the United States Mint in Manila, Philippines, which at that time was a territorial possession of the United States.

  Commonly referred to as the Wilson Dollar, the Wilson Dollar is not a coin, but a medal, it bearing no denomination. The medalcommemorates the opening of the Manila Mint as a Branch Mint of the United States Mint on July 15, 1920. The Manila Mint was the only branch mint of the United States established overseas. It operated from 1920 until the Philippines fell under Japanese control in 1942.
The Philippines were discovered by Ferdinand Magellan in 1521 and conquered by Spain in 1565 which ruled the islands for more than 300 years. The islands were named after King Philip II of Spain. Following the U.S. victory in the Spanish-American War, the Philippine Islands were ceded to the United States by treaty on December 10, 1898. Filipinos, unable to obtain complete independence from the United States after the war, started guerrilla warfare February 4, 1899 which only ended in April of 1902, slightly a year after the capture of their leader, Emilio Aguinaldo on March 23, 1901.
In 1902 President Theodore Roosevelt signed a bill authorizing a separate coinage for the Philippine islands. The designs and denominations served a dual purpose: showing United States sovereignty over the islands, while maintaining the Peso denomination already familiar to the islands. Starting in 1903 coins were struck in denominations of One Half Centavo (1903-1908), One Centavo, Five Centavos, Ten Centavos, Twenty Centavos, Fifty Centavos and One Peso to replace Spanish colonial issues then in use. Unlike the Spanish issues, the United States did not strike any gold for use in coinage for the Philippines.

  United States-Philippines coinage was struck at both the Philadelphia (1903-1908) and San Francisco Mints (1903-1920). These issues have become the only "colonial" coinage ever struck under U.S. authority. During this period, the Bureau of the Mint, U.S. Treasury Department, proceeded with plans for the Islands to have their own mint. These coins, along with the subsequent issues up to 1945, are often collected as a separate series of United States issues and in fact are commonly listed in major coin reference books, such as The Guide Book of United States Coins (aka "Redbook").
  The Manila Mint had been closed since the late 1800s (when it was operated by the Spanish) but the demand for locally minted coinage had increased, requiring the opening of a local minting facility. The building was refurbished, electronically operated coining equipment made in the Philadelphia Mint machine shop was sent to the islands and the Manila Mint formally opened in 1920. When the Manila Mint opened under United States administration, it became the first (and to date the only) U.S. branch mint located outside the Continental United States. The Manila Mint produced coins from 1920 to 1922 and then again from 1925 to 1941, when the Empire of Japan invaded and occupied the Philippines during World War II. The Mint was operated under Japanese auspices during the occupation, although no Japanese occupation coins were issued. No United States coins were ever struck at the Mint again, although U.S. coins for the Philippines were struck at other U.S. mints in 1944 and 1945. The Mint Building itself was destroyed during the American-Filipino liberation of Manila in 1944.
  The commonly called "Wilson Dollar" was the official medal produced to mark the formal opening of the Manila Mint. In addition, it was one of the first items produced at the Mint. The medal designer, Clifford Hewitt, installed the Manila Mint equipment and instructed Filipino natives in its operation.
The obverse of the medal features a bust of U.S. President Woodrow Wilson facing left. Wilson was President at the time of the opening of the Manila Mint. The words: PRESIDENT OF THE UNITED STATES appears above the portrait around the beaded border rim. The design was by Clifford Hewitt. George Morgan, perhaps best known to collectors as the designer of the Morgan Dollar (1878-1921) executed the dies at the Philadelphia Mint.

The reverse of the medal features a representation of Justice kneeling and holding a balance scale in her right hand, and watching over a nude youth pouring coin planchets from a cornucopia into a coining press. The reverse design is also credited to Clifford Hewitt, and George Morgan produced the dies at the Philadelphia Mint. This design did not strike well, and most mint specimens are found with a somewhat mushy looking strike, particularly on the bronze specimens.
  The medal is commonly referred to in many numismatic publications as the Wilson Dollar, although in reality it is a medal, and carries no denomination nor has it ever been considered legal tender.
This official medal was produced in silver and bronze for sale to collectors. In addition, five were struck in gold as presentation pieces. All three medal varieties were struck with medal rotation, plain edges and measure 38.1 mm.
  A total of 2,200 were struck on silver planchets identical to those used on United States Silver Dollars of the period. The silver issues weigh 27.22 grams; composition .900 silver, .100 copper. The bronze issue is 28.01 grams. A total of 3,700 were struck in bronze.
  The original issue price for the silver medal was One Dollar. The bronze version sold for Fifty Cents.
The gold medal was made solely for presentation purposes and was not offered for sale. Of the five gold pieces, one was presented to President Wilson, another to the U.S. Secretary of War, Newton D. Baker and three were retained in the Philippines. Of the five specimens struck, only three are presently accounted for.
  As the mintage figures would indicate, the gold piece is very rare, with only three examples known to be still in existence. Of the three, two are listed as graded by NGC. The current NGC Census Report indicates that one grades MS-61 and the other MS-62.
In July 2008, Heritage Galleries sold at its Baltimore, Maryland, ANA US Coin Signature Auction a gold Wilson Dollar graded by NGC MS-62 for $74,750.00, the highest auction price for this particular issue. Heritage had offered a different gold Wilson Dollar in its February 2008 Medals and Tokens Signature Auction but that specimen, lot 81185, had a mount removed.
  The bronze and silver issues are difficult to find in choice mint condition, and prices have been moving steadily higher. Auction prices are all over the place on both the silver and bronze specimens, a bronze specimen, described as Red-Brown but not slabbed by any of the grading services auctioned off for $1100 earlier this year, silver specimens show a similar pattern, with one example grading NCG MS-62 being offered on eBay "Buy It Now" option trading for $1,700 in July 2008.
  The silver issue is easier to locate in true mint state condition than the comparably higher mintage bronze specimen. Census figures for the major grading services also reflect this trend. At the time of this writing, NGC's online census reports indicates a total of 73 silver Wilson Dollars having been graded, with one grading AU-55, eight as AU-58, seven as MS-61, nineteen as MS-62, twenty-three as MS-63, eight as MS-64, and seven as MS-65.
  NGC reports show that for the bronze issue, one is graded as AU-53 BN (Brown), five AU-58 BN, one MS-62 BN, and three as MS-63 BN. Bronze specimens indicating Red-Brown are reported by NGC as one AU-55 RB (Red Brown), four AU-58 RB, six MS-62 RB, and one MS-63 RB. There are no reported fully red specimens graded by NCG, and the highest grade for either Brown or Red-Brown specimens is MS-63.
  The other major coin grading service, Professional Coin Grading Services (PCGS), does not grade Wilson Dollars, so there is no comparable data from this major grading service. ANACS grading service shows a similar pattern on the silver versus bronze issues, with four silver Wilsons grading AU-55, five grading AU-58, three making the MS-60 grade, two MS-61, eleven MS-62, fourteen MS-63, seven MS-64 and just two grading MS-65.
  According to ANACS on-line census report, only one bronze medal is graded with the Red designation, it grading as MS-62. There are three Wilson bronzes graded as MS-60 BR (Brown), with one MS-61 BR, two MS-62 BR, two MS-63 BR and one MS-65 BR. The Wilson Bronze in Red-Brown shows and interesting pattern, with only eight coins so designated, seven are MS-62 RB, and one MS-63 RB. In addition to the mint state pieces, ANACS also has graded nineteen bronze medals in grades from extra fine thru AU-58. As these medals are now getting to be very expensive, it is recommended that collectors only purchase examples that have be graded by one of the major grading firms, especially when purchasing the bronze specimens which seem to have suffered more environmental damage as well as improper handling and cleaning. At the very least be very wary when purchasing the bronze medal, as the bronze seems to have suffered more damage over the years to make this higher mintage medal very scarce in true mint state. In addition, fakes are known for both the silver and bronze issues.
The Wilson medal is well-known to collectors of several popularly collected series: So-Called Dollar collectors following the Hibler and Kappen book seek out examples for their so-called Dollar collection where the medals are designated HK-449 (Silver), HK-450 (Bronze) and HK-1031 (Gold). Collectors specializing in United States Mint medals similarly seek out the bronze and silver issues. Collectors of United States issues of the Philippines (1903-1945) typically add this official medal issue commemorating the opening of the Manila Mint to their collections. In addition, for a great many years, due to the popularly of the Wayte Raymond United States Commemorative coin holders, collectors of United States commemorative coins have included the Wilson Dollar (along with the Norse Centennial Medal and the Pony Express Medal) along with their set of United States commemoratives.
Thus, the medal has collectors of four different series seeking examples for their collections.

  Besides the unique occasion that it commemorates, and as well as its inclusion in several different sets, the medal is interesting for another reason: in 1942 about 16 Million Pesos in silver coin were crated and thrown into the sea near Corregidor to avoid seizure by the invading forces of Japan. Included in this mix were a substantial but undocumented number of unsold silver and bronze Wilson Dollars.
Since the end of the World War II, well over 10 million Pesos have been salvaged, along with a large but undocumented number of Wilson medals in both silver and bronze. The majority of the coins and medals recovered are heavily corroded from their decades long immersion in salt water. Sea-salvaged specimens of these battle weary medals, commemorating a mint that itself was destroyed during the war, occasionally appear in the collector market, and are avidly collected. I have seen the sea-salvaged medals go for as much as $400, and ANACS also slabs but does not grade, sea-salvaged specimens.

  Although a large number of these medals were dumped off Corregidor to avoid capture, enough examples had migrated to the United States mainland between 1920-1942 so that mint examples can be found. This issue is usually found with a softer "mushy" strike especially on the reverse. Although it has a higher mintage than the silver issue, the bronze issue is more difficult to find in mint state, and usually has a somewhat greasy looking appearance. Also, like U.S. Commemorative coins from the 1892-1920s period, these medals are often found with some minor wear. Thus, nice examples are very difficult to find in the market.
For collectors interested in an attractive medal commemorating the opening of America's most western Mint, the Wilson Dollar is a challenging and thoughtful addition to several different collections.

Philippines 2500 Peso Gold Coin 1980 General Douglas MacArthur

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General Douglas MacArthurPhilippines 2500 Peso Gold Coin 1980 U.S. General Douglas MacArthur

Philippines 2500 Peso Gold Coin 1980 U.S. General Douglas MacArthur
Commemorative issue: 100th Anniversary of the Birth of General MacArthur

Obverse: General Douglas MacArthur smoking his corncob pipe.
Lettering: IKASANDAANG TAONG KAARAWAN General Douglas MacArthur * 1880-1980 *.

Reverse: "I have returned"— General MacArthur returns to the Philippines with Philippine President Sergio Osmena to his right, Philippine Foreign Affairs Secretary Carlos P. Romulo at his rear, and Sutherland on his left (Philippines Campaign 20 October 1944). From photo taken by Gaetano Faillace. This iconic image is re-created in larger-than-life statues at MacArthur Landing Memorial National Park
Lettering: REPUBLIKA NG PILIPINAS LEYTE LANDING OCTOBER 20, 1944 2500 PISO 500/1000 FINE GOLD *.

Year: 1980.
Value: 2500 Piso.
Metal: Gold (.500).
Weight: 14.57 g.
Shape: Round.



General Douglas MacArthur
Douglas MacArthur (26 January 1880 – 5 April 1964) was an American five-star general and Field Marshal of the Philippine Army. He was Chief of Staff of the United States Army during the 1930s and played a prominent role in the Pacific theater during World War II. He received the Medal of Honor for his service in the Philippines Campaign, which made him and his father Arthur MacArthur, Jr., the first father and son to be awarded the medal. He was one of only five men ever to rise to the rank of General of the Army in the US Army, and the only man ever to become a field marshal in the Philippine Army.
  Raised in a military family in the American Old West, MacArthur was valedictorian at the West Texas Military Academy, and First Captain at the United States Military Academy at West Point, where he graduated top of the class of 1903. During the 1914 United States occupation of Veracruz, he conducted a reconnaissance mission, for which he was nominated for the Medal of Honor. In 1917, he was promoted from major to colonel and became chief of staff of the 42nd (Rainbow) Division. In the fighting on the Western Front during World War I, he rose to the rank of brigadier general, was again nominated for a Medal of Honor, and was awarded the Distinguished Service Cross twice and the Silver Star seven times.
  From 1919 to 1922, MacArthur served as Superintendent of the U.S. Military Academy at West Point, where he attempted a series of reforms. His next assignment was in the Philippines, where in 1924 he was instrumental in quelling the Philippine Scout Mutiny. In 1925, he became the Army's youngest major general. He served on the court martial of Brigadier General Billy Mitchell and was president of the American Olympic Committee during the 1928 Summer Olympics in Amsterdam. In 1930, he became Chief of Staff of the United States Army. As such, he was involved in the expulsion of the Bonus Army protesters from Washington, D.C. in 1932, and the establishment and organization of the Civilian Conservation Corps. He retired from the US Army in 1937 to become Military Advisor to the Commonwealth Government of the Philippines.
  MacArthur was recalled to active duty in 1941 as commander of United States Army Forces in the Far East. A series of disasters followed, starting with the destruction of his air forces on 8 December 1941, and the invasion of the Philippines by the Japanese. MacArthur's forces were soon compelled to withdraw to Bataan, where they held out until May 1942. In March 1942, MacArthur, his family and his staff left nearby Corregidor Island in PT boats and escaped to Australia, where MacArthur became Supreme Commander, Southwest Pacific Area. For his defense of the Philippines, MacArthur was awarded the Medal of Honor. After more than two years of fighting in the Pacific, he fulfilled a promise to return to the Philippines. He officially accepted Japan's surrender on 2 September 1945, aboard the USS Missouri anchored in Tokyo Bay, and oversaw the occupation of Japan from 1945 to 1951. As the effective ruler of Japan, he oversaw sweeping economic, political and social changes. He led the United Nations Command in the Korean War until he was removed from command by President Harry S. Truman on 11 April 1951. He later became Chairman of the Board of Remington Rand.

US Philippines Coins Half Centavo 1906

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US Philippines Coins Half CentavoUnited States Coinage for the Philippine Islands Half Centavo 1903

US Philippines Coins Half Centavo 1906

Obverse: A young Filipino male seated next to an anvil holding a hammer in his right hand, his left arm raised, and in the background to his left is a billowing Mayon Volcano.
Lettering: "HALF CENTAVO" and "FILIPINAS" (Spanish for Philippines).

Reverse: Eagle above shield, date below
Lettering: UNITED STATES OF AMERICA · 1906 ·

No Mint Mark – Philadelphia Mint
Years: 1903-1908.
Value: 1/2 Centavo.
Metal: Bronze.
Weight: 2.6 g.
Diameter: 17.5 mm.
Shape: Round.

The U.S. government struck Half Centavos for the Philippines from 1903-1908.  In 1903 and 1904, the U.S. mint at Philadelphia struck Half Centavos for circulation.  Proof examples were struck from in all years from 1903 to 1908 for sale to collectors at a premium.
  High grade Mint State examples of the 1903 Half Centavo are available in Full Red condition thanks to a large mintage; 1904 Half Centavos are more difficult to find in Gem condition because of a lower mintage and reduced collector enthusiasm for the coins in the second year.

United States Coinage for the Philippine Islands
The Philippines under U.S. Sovereignty 1898 – 1935

Half Centavo      One Centavo      5 Centavos      10 Centavos   

20 Centavos          50 Centavos          One Peso





United States Coinage for the Philippine Islands - Half Centavo of 1903 - 1908.

  The Half Centavo was designed by Filipino artist Melicio Figueroa and engraved by U.S. Mint Chief Engraver Charles Barber. The obverse design shows a young Filipino male seated next to an anvil holding a hammer in his right hand, his left arm raised, and in the background to his left is a billowing Mayon Volcano. The obverse carries the inscriptions "Half Centavo" and "Filipinas" (Spanish for Philippines). The reverse design depicts an eagle with spread wings perched atop an American shield. The reverse carries the inscription "United States of America" and the date.
  The Half Centavo was struck in Bronze (95% copper, 5% zinc and tin). It had a weigh of 40 Grains and a diameter of 17.5 mm.
  Business strikes of the Half Centavo were struck at the Philadelphia Mint in 1903 (12,084,000) and 1904 (5,654,000).
  A limited number of Proof Half Centavos were produced at the Philadelphia mint from 1903 through 1906 and again in 1908. The mintage figures for proof Half Centavos is as follows: 1903 (2,558), 1904 (1,355), 1905 (471), 1906 (500), and 1908 (500). The 1905, 1906, and 1908 Half Centavos were PROOF ONLY ISSUES.
  The Half Centavo proved to be an unnecessary denomination that was poorly accepted by the public. Production of business strikes of this denomination was discontinued in March 1904 and in April 1904 the unpopular Half Centavo denomination was withdrawn from circulation. In June 1908 the idle stockpile of 7,585,400 Half Centavo pieces was shipped to the San Francisco mint where they were melted and re-coined into One Centavo pieces. That leaves a little less than 60% of the original total mintage still available to collectors today.
  If you are thinking about starting a USA-Philippines Type Set this is the perfect coin to start with. A comparatively large number of 1903 business strikes were saved by collectors and well struck MS64 RD and MS65 RD specimens are quite reasonably priced. The 1904 business strikes and all of the proof issues are much scarcer particularly in Red. Gem quality Full Red proofs can be very difficult to find and all are quite rare.
  The attached picture shows 1906 USA-Philippines Half Centavo.

US Philippines Coins One Centavo 1928

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US Philippines Coins One Centavo 1928United States Coinage for the Philippine Islands One Centavo

US Philippines Coins One Centavo 1928

Obverse: A young Filipino male seated next to an anvil holding a hammer in his right hand, his left arm raised, and in the background to his left is a billowing Mayon Volcano.
Lettering: "ONE CENTAVO" and "FILIPINAS" (Spanish for Philippines).

Reverse: Eagle above shield, date below
Lettering: UNITED STATES OF AMERICA · 1928 ·
Edge: Smooth

M – stands for Manila Mint with the exemption of coins issued between 1920 to 1922 which have no Mint marks.
Years: 1903-1936.
Value: 1 Centavo.
Metal: Bronze.
Weight: 4.7 g.
Diameter: 24.8 mm.
Thickness: 1.45 mm.
Shape: Round.

United States Coinage for the Philippine Islands
The Philippines under U.S. Sovereignty 1898 – 1935

Half Centavo      One Centavo      5 Centavos      10 Centavos   

20 Centavos          50 Centavos          One Peso





United States Coinage for the Philippine Islands - One Centavo of 1903 - 1936.

The One Centavo was designed by Filipino artist Melicio Figueroa and engraved by U.S. Mint Chief Engraver Charles Barber. The obverse design shows a young Filipino male seated next to an anvil holding a hammer in his right hand, his left arm raised, and in the background to his left is a billowing volcano. The obverse carries the inscriptions "One Centavo" and "Filipinas" (Spanish for Philippines). The reverse design depicts an eagle with spread wings perched atop an American shield. The reverse carries the inscription "United States of America" and the date.
  The One Centavo was struck in Bronze (95% copper, 5% zinc and tin). It had a weigh of 80 Grains and a diameter of 24mm.
  Business strikes of the One Centavo were struck at the Philadelphia Mint from 1903 through 1905.
  A limited number of Proof One Centavo coins were produced at the Philadelphia mint from 1903 through 1906 and again in 1908. The mintage figures for the proof One Centavo is as follows: 1903 (2,558), 1904 (1,355), 1905 (471), 1906 (500), and 1908 (500). The 1906 and 1908 One Centavo are PROOF ONLY ISSUES.
  The business and proof coins produced at the Philadelphia Mint have no mint mark.
  In 1908 production of One Centavo business strikes shifted to the San Francisco Mint which produced One Centavo coins every year from 1908 through 1920. The coins produced at the San Francisco Mint have an "S" Mint Mark on the reverse to the left of the date.
  In July 1920 the newly opened United States Manila Branch Mint took over One Centavo production. The Manila mint did not use a mint-mark on its One Centavo coinage of 1920, 1921, and 1922. No One Centavos were struck anywhere during 1923 or 1924. One Centavo production resumed at the Manila Mint in 1925. The Manila Mint struck One Centavo coins every year from 1925 through 1934 and again in 1936. The 1925 through 1936 One Centavo has an "M" Mint Mark on the reverse to the left of the date.
  Business strikes of the 1903 through 1936 One Centavo often have strike issues. According to the classical reference book "United States Territorial Coinage For The Philippine Islands" by Neil Shafer: "On obverses the figure's right hand is almost always found flatly struck. Reverses often show flattening of the eagle's breast, especially in the later years. Light strikes are commonly seen throughout the manila mint issues (esp. 1920), but only occasionally in strikes of San Francisco. The left part of the reverse shield is very susceptible to flat striking; this includes some stars on the left side as well. The mint-mark M during the years 1929-1936 often appears as an almost indistinguishable letter." (Shafer, 1961, p.37)
  The One Centavo was really the workhorse of the Philippine economy. Between 1903 and 1936 U.S. Mints produced 195.9 Million One Centavo coins. That was more than the total combined production of Half Centavo (17.7 million), Five Centavos (39.6 million), Ten Centavos (49.3 million), Twenty Centavos (34.5 million), and Fifty Centavos (18.4 million).
  Despite the huge number of One Centavo business strikes assembling a complete collection in the higher grades can be quite challenging.
  Many 1903 through 1936 One Centavos were melted down during World War II and the surviving specimens are often well circulated or suffering from environmental damage.
  The climate in the Philippines was not conducive to persevering Bronze coins and the vast majority of certified Mint State coins are either Brown or Red Brown. The NGC population report (10/15/2012) shows that out of 1203 One Centavo business strikes certified 42.8% are Brown, 35.2% Red Brown, and 22% Red.
  The number of Red Gems is even less with only 16.1% of the One Centavo business strikes grading MS65 RD or above. For some years in the series, and several of the die varieties, no Red Gems are known to exist.
  Full Red proof One Centavos are even rarer than Full Red business strikes. The NGC population report (10/15/2012) shows that of 207 proof One Centavos certified 40.6% are Brown, 48.3% Red Brown, and only 11.1% Red. Gem quality Full Red proofs can be very difficult to find and all are quite rare. Only 18 specimens (8.7%) grade PF 65 RD or higher.
  The attached picture shows my 1928 USA-Philippines One Centavo.

US Philippines 5 Centavos Silver Coin 1917

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US Philippines 5 Centavos Silver CoinUnited States Coinage for the Philippine Islands Five Centavos

US Philippines 5 Centavos Silver Coin 1917

Obverse: A young Filipino male seated next to an anvil holding a hammer in his right hand, his left arm raised, and in the background to his left is a billowing Mayon Volcano.
Lettering: "FIVE CENTAVOS" and "FILIPINAS" (Spanish for Philippines).

Reverse: Bald Eagle with spread wings perched atop an American shield, date below
Lettering: UNITED STATES OF AMERICA · 1917 ·
Edge: Lettering: Smooth.

“S” – stands for San Francisco Mint
Years: 1903-1928.
Value: 5 Centavos.
Metal: Copper-nickel.
Weight: 5.25 g.
Diameter: 21.3 mm.
Thickness: 1.68 mm.
Shape: Round.

United States Coinage for the Philippine Islands
The Philippines under U.S. Sovereignty 1898 – 1935

Half Centavo      One Centavo      5 Centavos      10 Centavos   

20 Centavos          50 Centavos          One Peso





United States Coinage for the Philippine Islands: The Five Centavos of 1903 - 1928

  The coins in this slot include business strikes in twelve dates, five dates with proof issues, and three recognized die varieties including the famous 1918-S MULE.
  The Five Centavos was designed by Filipino artist Melicio Figueroa and engraved by U.S. Mint Chief Engraver Charles Barber. The obverse design shows a young Filipino male seated next to an anvil holding a hammer in his right hand, his left arm raised, and in the background to his left is a billowing volcano. The obverse carries the inscriptions "Five Centavos" and "Filipinas" (Spanish for Philippines). The reverse design depicts an eagle with spread wings perched atop an American shield. The reverse carries the inscription "United States of America" and the date.
  The Five Centavos was struck in Copper-Nickel (75% copper, 25%). It had a weigh of 77.16 Grains (5.25 grams) and a diameter of 20.5 mm.
  Business strikes of the Five Centavos were produced at the Philadelphia Mint in 1903 and 1904. The Philadelphia mint made 8,910,000 Five Centavos business strikes in 1903 and 1,075,000 in 1904.
  A limited number of Proof Five Centavos were produced at the Philadelphia Mint from 1903 through 1906 and again in 1908. The mintage figures for proof Five Centavos is as follows: 1903 (2,558), 1904 (1,355), 1905 (471), 1906 (500), and 1908 (500). The 1905, 1906, and 1908 Five Centavos are PROOF ONLY ISSUES.
  The business and proof coins produced at the Philadelphia Mint have no mint mark.
  No Five Centavos business strikes were made during the years 1905 through 1915.
  In 1916 production of Five Centavos business strikes resumed, this time at the San Francisco Mint. The San Francisco Mint struck Five Centavos business strikes every year from 1916 through 1919. The coins produced at the San Francisco Mint have an "S" Mint Mark on the reverse to the left of the date.
  Mintage figures for the Five Centavos business strikes produced at the San Francisco Mint are as follows: 1916-S (300,000), 1917-S (2,300,000), 1918-S (2,780,000), and 1919-S (1,220,000).
  In July, 1920, the newly opened United States Manila Branch Mint took over Five Centavos production. The Manila Mint did not use a mint-mark on its Five Centavos coinage of 1920, and 1921. No Five Centavos were struck anywhere during 1922, 1923, and 1924. Five Centavos production resumed at the Manila Mint in 1925. The Manila Mint produced Five Centavos business strikes every year from 1925 through 1928. The 1925 through 1928 Five Centavos have an "M" Mint Mark on the reverse to the left of the date.
  Mintage figures for the Five Centavos business strikes produced at the Manila Mint are as follows: 1920 (1,421,078), 1921 (2,131,529), 1925-M (1,000,000), 1926-M (1,200,000), 1927-M (1,000,000), and 1928-M (1,000,000).
  The 1903 - 1925 Five Centavos have three recognized die varieties, all of which occurred in 1918. They are the 1918-S Repunched Date (Allen number 4.08a), 1918-S/S (Allen number 4.08aa), and the famous 1918-S MULE (Allen number 4.08b).
  The 1918-S Mule was produced when a Twenty Centavo reverse die was mistakenly combined with a normal Five Centavos obverse die. The 1907 - 1929 Twenty Centavos used the same reverse design as the 1903 - 1925 Five Centavos and had a diameter which was only .5 mm smaller so it is easy to see how this error occurred. The 1918-S Mule has a smaller date and wider shield than the regular Five Centavos. The 1918-S Five Centavo Mule is one of the rarest and most sought after USA-Philippine coins.
  Strike Issues: According to the classical reference book "United States Territorial Coinage For The Philippine Islands" by Neil Shafer: "Obverses of the later S mint issues (1918-1919) are often weakly struck, causing much loss of detail. The first year of Manila issues, 1920, shows a great lack of rim sharpness and overall detail on a great many pieces. Wing tips on the reverse are occasionally seen flatly struck." (Shafer, 1961, p.38)
  The 1903 business strike was the only date that was produced in quantity. This, combined with the fact that it was a first year of issue and many were saved by collectors, make it the easiest date for type coin collectors to find in Gem Uncirculated. A certified 1903 Five Centavos in MS65 can generally be purchased for around $100.00. Gem quality 1904 business strikes are only slightly more expensive.
  All of the San Francisco and Manila issues are scarce in Choice Uncirculated and rare in Gem quality. In fact some of the dates have no known examples in MS65 or above.

United States Coinage for the Philippine Islands: The Reduced Size & Weight Five Centavos of 1930 - 1935.

The coins in this slot include business strikes in five dates, and four recognized die varieties. All of the 1930 - 1935 Five Centavos were struck at the Manila mint and have an "M" Mint Mark on the reverse to the left of the date.
  In 1930 the Five Centavos was reduced in size from a diameter of 20.5mm to 19mm. The weight was also reduced from 77.16 Grains (5.25 grams) to 75.16 Grains (4.75 grams). The Reduced Size & Weight Five Centavos was struck in the same Copper-Nickel (75% copper, 25% nickel) alloy used for earlier Five Centavos.
  The reason for the reduction in size was to avoid confusion with two similar size coins the Reduced Size & Weight Twenty Centavos of 1907 - 1929 and the Culion Leper Colony One Centavo.
  In 1906 Congress passed an Act reducing the weight and fineness of the four denominations of USA/Philippine silver coins. Among these changes the silver Twenty Centavos coin was reduced from 5.385 Grams, .900 fineness silver, ASW .15580 oz to 4.0 grams, 750 fineness silver, ASW .0964 oz. The size of the Twenty Centavos was also reduced from 23mm to 20mm. The first year of production for the new "Reduced Size and Weight" silver coins was 1907.
  Since the 1903 - 1928 Five Centavos (20.5mm diameter) was so close in size to the new "Reduced Size and Weight" Twenty Centavos (20.0 mm diameter) mistakes were bound to follow. Inattentive merchants or consumers could easily find themselves shortchanged by fifteen Centavos. The confusion even extended to mint employees. In 1918 the San Francisco mint accidentally Muled a Five Centavos obverse die with a Twenty Centavos reverse die creating the famous 1918-S Five Centavos Mule.
  The Reduced Size and Weight Five Centavos of 1930 - 1935 uses the same obverse and reverse designs as the larger 1903 - 1928 Five Centavos. The Five Centavos was designed by Filipino artist Melicio Figueroa and engraved by U.S. Mint Chief Engraver Charles Barber. The obverse design shows a young Filipino male seated next to an anvil holding a hammer in his right hand, his left arm raised, and in the background to his left is a billowing volcano. The obverse carries the inscriptions "Five Centavos" and "Filipinas" (Spanish for Philippines). The reverse design depicts an eagle with spread wings perched atop an American shield. The reverse carries the inscription "United States of America" and the date.
  Mintage figures for the 1930 - 1935 Five Centavos are as follows: 1930-M (2,905,182), 1931-M (3,476,790), 1932-M (3,955,861), 1934-M (2,153,729), and 1935-M (2,754,000).
  The 1930 - 1935 Five Centavos have four recognized die varieties. They are the 1930-M Repunched Date (Allen number 5.01a), 1934-M Repunched 1 (Allen number 5.04a), 1934-M Double Die Reverse and Repunched 1 (Allen number 5.04aa), and the 1935-M Repunched Date (Allen number 5.05a).
  Strike Issues: The Reduced Size & Weight Five Centavos have a number of significant strike issues. According to the classical reference book "United States Territorial Coinage For The Philippine Islands" by Neil Shafer: "Obverses show the figure's left hand flat; also, many have weakly struck rims with resultant loss in detail of design (especially around the volcano and left side of the pedestal). Reverses vary greatly in clarity of strike. Some have poor rim with sharp breast feathers on the eagle, and others have a fair rim but poor wing tips and part of shield flat. Dates most susceptible to poor strikes are 1930 and 1931, although the other years of this type show up poorly struck." (Shafer, 1961, p.38)
  All of the Reduced Size & Weight Five Centavos of 1930 - 1935 are scarce in Choice Uncirculated and Very Rare in Gem quality. In fact NGC and PCGS combined have only certified thirty-four (34) 1930 - 1935 Five Centavos in MS65, and one (1) in MS66, with no specimens graded higher.

US Philippines 10 Centavos Silver Coin 1903

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Philippines US Administration 10 Centavos Silver CoinUS Philippines Coins 10 Centavos Silver Coin

Philippines US Administration 10 Centavos Silver Coin 1903

Obverse: A young Filipino woman standing to the right in a flowing dress while striking an anvil with a hammer held in her right hand, the left hand is raised and holding an olive branch. In the background is a billowing Mayon Volcano.
Lettering: "TEN CENTAVOS" and "FILIPINAS" (Spanish for Philippines).
Engraver: Melecio Figueroa

Reverse: Bald Eagle with spread wings perched atop an American shield.
Lettering: UNITED STATES OF AMERICA 1903

No Mint Mark – Philadelphia Mint
Years1907-1935.
Value10 Centavos.
MetalSilver (.750).
Weight2 g.
Diameter17 mm.
Thickness0.96 mm.
ShapeRound.

United States Coinage for the Philippine Islands
The Philippines under U.S. Sovereignty 1898 – 1935

Half Centavo      One Centavo      5 Centavos      10 Centavos   

20 Centavos          50 Centavos          One Peso





United States Coinage for the Philippine Islands:
 The Ten Centavos of 1903 - 1906

The Ten Centavos was designed by Filipino artist Melicio Figueroa and engraved by U.S. Mint Chief Engraver Charles Barber. The obverse design features a young Filipino woman standing to the right in a flowing dress while striking an anvil with a hammer held in her right hand, the left hand is raised and holding an olive branch. In the background is a billowing volcano. The obverse carries the inscriptions "Ten Centavos" and "Filipinas" (Spanish for Philippines). The reverse design depicts an eagle with spread wings perched atop an American shield. The reverse carries the inscription "United States of America" and the date.
  The 1903 -- 1906 Ten Centavos has a diameter of 17.5 mm and a weight of 2.69 grams (41.55 grains) of .900 fineness silver (ASW 0.0779oz).
  Business strikes of the Ten Centavos were produced at the Philadelphia Mint in 1903 (5,102,658) and 1904 (10,000), and the San Francisco Mint in 1903 (1,200,000), and 1904 (5,040,000).
  All of the 1904 (P) business strikes were produced as part of a Special Mint Set of USA-Philippine silver coins (Ten Centavos, Twenty Centavos, Fifty Centavos, and One Peso) struck specifically for sale at the Philippine Exhibit at the 1904 Louisiana Purchase Exposition (World Fair) in St. Louis. Of the 10,000 sets produced for this purpose 3254 were sold at the 1904 World Fair. Another 500 sets were sold by the Philippine Treasury in Manila. The remaining 6246 sets were placed in circulation as ordinary coins.
  A limited number of Proof Ten Centavos were produced at the Philadelphia Mint from 1903 through 1906. The mintage figures for proof Ten Centavos is as follows: 1903 (2,558), 1904 (1,355), 1905 (471), and 1906 (500). The 1905, and 1906 Ten Centavos are PROOF ONLY ISSUES.
  The business and proof coins produced at the Philadelphia Mint have no mint mark. Business strikes produced at the San Francisco Mint have an "S" mint mark on the reverse to the left of the date.
  The Ten Centavos of 1903 through 1906 has a silver content equal to the U.S. Barber Dime. With an official exchange rate of two Philippine Pesos to one U.S. dollar it was not long before the value of the silver content in the Ten Centavos exceeded its face value and many were melted during the great silver melts of the period. In 1906 the silver coins held in reserve by the Treasury were sent back to the U.S. for re-coinage into the reduced size and weight pieces which followed in 1907. Lyman Allen estimates that less than 20% of all 1903-1906 silver coinages exist today in any grade.
  Despite the large number of coins that were lost to melting type coin collectors should find it relatively easy to find well struck choice uncirculated examples of the 1903 (P) or 1904-S business strike for less than one hundred dollars. Gem quality examples of those dates are more difficult to find but moderately priced. The least expensive Gem quality Type coin would be the 1903 (P) business strike which has a book value of $200.00 in MS65.
  Strike Issues: These pieces are generally well struck, although some of the business strikes may show slight weakness of features. First strikings of the 1904 (P) Ten Centavos may appear proof-like in quality and appearance.

United States Coinage for the Philippine Islands: The Reduced Size and Weight Ten Centavos of 1907 - 1935

  When the U.S. Congress established the Standards for U.S. Philippine coins in March 1903 the price of silver was at an all time low. By 1905 rising silver prices brought the bullion value of Philippine silver coins to the level where they were beginning to disappear from circulation. By November 1906 the bullion value of Philippine silver coins had risen to 13.2% over their face value. Laws prohibiting the melting and export of silver coins proved largely ineffective and something had to be done.
  On December 6, 1906 the U.S. Congress passed an Act "for the purpose of preventing the melting and exportation of the silver coins of the Philippine Islands as a result of the high price of silver". The Act reduced the weight and fineness of the four denominations of USA/Philippine silver coins. It also granted authority to recall all USA-Philippine silver coins from banks and circulation and ship them back to the United States for re-coining into pieces of lesser fineness.
  Under the new standards the silver Ten Centavos coin was reduced from 2.69 Grams (41.55 grains), of .900 fineness silver (ASW 0.0779 oz.) to 2.0 grams (30.86 grains), of .750 fineness silver (ASW 0.0482 oz.). The size of the Ten Centavos was also reduced from 17.5 mm to 16.5 mm. The first year of production for the new "Reduced Size and Weight" silver coins was 1907.
  The Reduced Size and Weight Ten Centavos uses same obverse and reverse designs that were used on earlier Ten Centavos. The Ten Centavos was designed by Filipino artist Melicio Figueroa. The obverse design features a young Filipino woman standing to the right in a flowing dress while striking an anvil with a hammer held in her right hand, the left hand is raised and holding an olive branch. In the background is a billowing volcano. The obverse carries the inscriptions "Ten Centavos" and "Filipinas" (Spanish for Philippines). The reverse design depicts an eagle with spread wings perched atop an American shield. The reverse carries the inscription "United States of America" and the date.
  Ten Centavos struck at the Philadelphia Mint have no mint mark. All of the Ten Centavos made at the San Francisco Mint have an "S" mint mark on the reverse to the left of the date. The Ten Centavos struck at the Manila Mint in 1920 and 1921 carry no mint mark. Starting in 1925 all Ten Centavos made by the Manila Mint have an "M" mint mark on the reverse to the left of the date.
  Business strikes of the reduced size and weight Ten Centavos were struck at both the Philadelphia and San Francisco Mints in 1907. From 1908 through 1915 business strikes of the Ten Centavos were made exclusively at the San Francisco Mint. No Ten Centavos were produced anywhere during 1916. Ten Centavos production resumed at the San Francisco Mint in 1917 and continued there through 1919. In 1920 Ten Centavos production shifted to the newly opened Manila Mint. Ten Centavos were produced at the Manila Mint in 1920, and 1921. No Ten Centavos were produced anywhere from 1922 through 1928. Business strikes of the Ten Centavos were made at the Manila Mint in 1929 then discontinued until 1935.
  Since U.S. mints had to replace nearly all of the Islands silver coinage in 1907 it was not felt that there were enough resources to make 1907 Proof Sets. When Proof Set production resumed in 1908 all of the silver coins, including the 1908 Ten Centavos, were struck in the newly authorized reduced weight and fineness. 1908 was the last year of production for Philippine Proof coins and the only year that the reduced size and weight Ten Centavos was struck in Proof. The 1908 Proof Ten Centavos had a mintage of 500 coins.
  Mintage figures for business strikes of the Reduced Size and Weight Ten Centavos is as follows: 1907-(P) (1,500,781), 1907-S (4,930,000), 1908-S (3,363,911), 1909-S (312,199), 1910-S (?), 1911-S (1,010,505), 1912-S (1,010,000), 1913-S (1,360,693), 1914-S (1,180,000), 1915-S (450,000), 1917-S (5,991,148), 1918-S (8,420,000), 1919-S (1,630,000), 1920-(M) (520,000), 1921-(M) (3,863,038), 1929-M (1,000,000), and 1935-M (1,280,000).
  According to official mint figures no Ten Centavos were made in 1910. It has been unofficially estimated that five to ten 1910-S Ten Centavos may have been struck and one was reliably reported to have been seen in the Manila mint collection prior to World War ll. That specimen was lost when the Manila Mint was destroyed during the war and today there are no know surviving examples of the 1910-S Ten Centavos.
  The Reduced Size and Weight Ten Centavos has ten recognized die varieties. They are: 1907-S/S (Allen number 8.02a), 1908-S/S (Allen number 8.04a), 1908-S Inverted S (Allen number 8.04c), 1912-S/S (Allen number 8.08a), 1913-S/S (Allen number 8.09a), 1914-S Short Crossbar 4 (Allen number 8.10a), 1914-S Long Crossbar 4 (Allen number 8.10b), 1915-S/S (Allen number 8.11a), 1917-S Repunched 1, High Mint Mark (Allen number 8.12a), and 1929-M Repunched Date (Allen number 8.17a).
  Strike Issues: This type of Ten Centavos is generally well struck. Some obverses may be seen with slight flattening of the hair just above the ear, possibly including the upper part of the figure. Very occasionally a reverse will have some flattening of the eagle's breast feathers.
  Moderately priced GEM quality examples of this type coin can be found in the following dates; 1918-S, 1921 (M), 1929-M, and 1935-M.

US Philippines 50 Centavos Silver Coin 1920

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US Philippines 50 Centavos Silver Coin United States Coinage for the Philippine Islands Fifty Centavos

Philippines US Administration 50 Centavos Silver Coin 1920

Obverse: A young Filipino woman standing to the right in a flowing dress while striking an anvil with a hammer held in her right hand, the left hand is raised and holding an olive branch. In the background is a billowing Mayon Volcano.
Lettering: "FIFTY CENTAVOS" and "FILIPINAS" (Spanish for Philippines).
Engraver: Melecio Figueroa.

Reverse: Bald Eagle with spread wings perched atop an American shield.
Lettering: UNITED STATES OF AMERICA 1920.

No Mint Mark – Philadelphia Mint.
Years: 1907-1921.
Value: 50 Centavos.
Metal: Silver (.750).
Weight: 10 g.
Diameter: 27.5 mm.
Shape: Round.

United States Coinage for the Philippine Islands
The Philippines under U.S. Sovereignty 1898 – 1935

Half Centavo      One Centavo      5 Centavos      10 Centavos   

20 Centavos          50 Centavos          One Peso





United States Coinage for the Philippine Islands:
 The Reduced Size and Weight Fifty Centavos of 1907 - 1921

  When the U.S. Congress established the Standards for U.S. Philippine coins in March 1903 the price of silver was at an all time low. By 1905 rising silver prices brought the bullion value of Philippine silver coins to the level where they were beginning to disappear from circulation. By November 1906 the bullion value of Philippine silver coins had risen to 13.2% over their face value. Laws prohibiting the melting and export of silver coins proved largely ineffective and something had to be done.
  On December 6, 1906 the U.S. Congress passed an Act "for the purpose of preventing the melting and exportation of the silver coins of the Philippine Islands as a result of the high price of silver". The Act reduced the weight and fineness of the four denominations of USA/Philippine silver coins. It also granted authority to recall all USA-Philippine silver coins from banks and circulation and ship them back to the United States for re-coining into pieces of lesser fineness.
  Under the new standards the silver Fifty Centavos coin was reduced from 13.48  Grams (208 grains), of .900 fineness silver (ASW 0.3900 oz.) to 10.0 grams (154.32 grains), of .750 fineness silver (ASW .2411oz.). The size of the Fifty Centavos was also reduced from 30 mm to 27 mm. The first year of production for the new "Reduced Size and Weight" silver coins was 1907.
  The Reduced Size and Weight Fifty Centavos uses the same obverse and reverse designs that were used on earlier Fifty Centavos. The Fifty Centavos was designed by Filipino artist Melicio Figueroa. The obverse design features a young Filipino woman standing to the right in a flowing dress while striking an anvil with a hammer held in her right hand. Her left hand is raised and holding an olive branch. In the background is a billowing volcano. The obverse carries the inscriptions "Fifty Centavos" and "Filipinas" (Spanish for Philippines). The reverse design depicts an eagle with spread wings perched atop an American shield. The reverse carries the inscription "United States of America" and the date. Fifty Centavos struck at the Philadelphia and Manila Mints have no mint mark. All of the Fifty Centavos made at the San Francisco Mint have an "S" mint mark on the reverse to the left of the date.
  Business strikes of the reduced size and weight Fifty Centavos were struck at both the Philadelphia and San Francisco Mints in 1907. In 1908 and 1909 all of the Fifty Centavos business strikes were produced at the San Francisco Mint. No Fifty Centavos were produced anywhere from 1910 through 1916. In 1917 Fifty Centavos production resumed at the San Francisco Mint where it continued through 1919. In 1920 Fifty Centavos production shifted to the newly opened Manila Mint. Fifty Centavos were produced at the Manila Mint in 1920 and 1921.
  Since U.S. mints had to replace nearly all of the Islands silver coinage in 1907 it was not felt that there were enough resources to make 1907 Proof Sets. When Proof Set production resumed in 1908 all of the silver coins, including the 1908 Fifty Centavos, were struck in the newly authorized reduced weight and fineness. 1908 was the last year of production for Philippine Proof coins and the only year that the reduced size and weight Fifty Centavos was struck in Proof. The 1908 (P) Fifty Centavos is a PROOF ONLY ISSUE with a mintage of 500 coins.
  Mintage figures for business strikes of the Reduced Size and Weight Fifty Centavos are as follows: 1907-(P) (1,250,625), 1907-S (2,112,000), 1908-S (1,601,000), 1909-S (528,000), 1917-S (674,369), 1918-S (2,202,000), 1919-S (1,200,000), 1920-(M) (420,000), 1921-(M) (2,316,763).
  Die Varieties: The Reduced Size and Weight Fifty Centavos has two recognized die varieties. They are: 1917-S Broken 7 (Allen number 14.06a), and 1918-S Inverted S (Allen number 14.07a).
  Strike Issues: The 1907 - 1921 Fifty Centavos have numerous strike issues. "Obverses (including Proofs of 1908) come with considerably flat frontal hair just above (the) ear, and may also show flattening of the figure's left hand. The barren appearance of the abdomen and left leg on an uncirculated piece creates an impression that the coin has already been in use. Reverses are quite unevenly struck; this is noted clearly by the top part of the shield which has a depressed middle and raised sides. The right side is slightly higher than the left, and may show a little flattening." (Shafer 1961 pages 39 - 40)
  GEM quality examples of most dates of this type coin are both rare and expensive. The least expensive dates are the 1918-S and 1919-S which have book values of $750.00 in MS65. Although the Allen Catalog lists MS65 book values of $500.00 and $400.00 respectably for the 1920 (M) and 1921 (M) Fifty Centavos these values are largely theoretical as true Gem examples of these dates are virtually unknown. Mint State 64 is the top grade for the 1920 (M) and only one 1921 (M) has been graded higher than MS64.
  Choice Uncirculated examples of the above dates are considerably less expensive. The 1918-S and 1919-S have book values of $200.00 in MS63. The 1920 (M) has a book value of $125.00 in MS63 and the 1921 (M) has a MS63 book value of $70.00.

US Philippines Peso Silver Coin 1908

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US Philippines One Peso Silver CoinUnited States Coinage for the Philippine Islands, One Peso

US Philippines One Peso Silver Coin 1908-S

Obverse: A young Filipino woman standing to the right in a flowing dress while striking an anvil with a hammer held in her right hand, the left hand is raised and holding an olive branch. In the background is a billowing Mayon Volcano.
Lettering: "ONE PESO" and "FILIPINAS" (Spanish for Philippines).
Engraver: Melecio Figueroa

Reverse: Bald Eagle with spread wings perched atop an American shield.
Lettering: UNITED STATES OF AMERICA ·1908·

S – stands for San Francisco Mint.
Years: 1907-1912.
Value: 1 Peso.
Metal: Silver (.800).
Weight: 20 g.
Diameter: 35 mm.
Shape: Round.

United States Coinage for the Philippine Islands
The Philippines under U.S. Sovereignty 1898 – 1935

Half Centavo      One Centavo      5 Centavos      10 Centavos   

20 Centavos          50 Centavos          One Peso





United States Coinage for the Philippine Islands:
 The Reduced Size and Weight One Peso of 1907 - 1912

  When the U.S. Congress established the Standards for U.S. Philippine coins in March 1903 the price of silver was at an all time low. By 1905 rising silver prices brought the bullion value of Philippine silver coins to the level where they were beginning to disappear from circulation. By November 1906 the bullion value of Philippine silver coins had risen to 13.2% over their face value. Laws prohibiting the melting and export of silver coins proved largely ineffective and something had to be done.
  On December 6, 1906 the U.S. Congress passed an Act "for the purpose of preventing the melting and exportation of the silver coins of the Philippine Islands as a result of the high price of silver". The Act reduced the weight and fineness of the four denominations of USA/Philippine silver coins. It also granted authority to recall all USA-Philippine silver coins from banks and circulation and ship them back to the United States for re-coining into pieces of lesser fineness.
  Under the new standards the silver One Peso coin was reduced from 26.95 Grams (416 grains), of .900 fineness silver (ASW .7800 oz.) to 20.00 grams (308.64 grains), of .800 fineness silver (ASW .5144 oz.). The size of the Peso was also reduced from 38 mm to 35 mm. The first year of production for the new "Reduced Size and Weight" silver coins was 1907.
  The Reduced Size and Weight One Peso uses the same obverse and reverse designs that were used on earlier Pesos. The One Peso was designed by Filipino artist Melicio Figueroa. The obverse design features a young Filipino woman standing to the right in a flowing dress while striking an anvil with a hammer held in her right hand. Her left hand is raised and holding an olive branch. In the background is a billowing volcano. The obverse carries the inscriptions "One Peso" and "Filipinas" (Spanish for Philippines). The reverse design depicts an eagle with spread wings perched atop an American shield. The reverse carries the inscription "United States of America" and the date.
  Business strikes of the Reduced Size and Weight One Peso were made at the San Francisco Mint from 1907 through 1912. Mintage figures for business strikes of the Reduced Size and Weight One Peso are as follows: 1907-S (10,278,000), 1908-S (20,954,944), 1909-S (7,578,000), 1910-S (3,153,559), 1911-S (463,000), and 1912-S (680,000).
  Since U.S. mints had to replace nearly all of the Islands silver coinage in 1907 it was not felt that there were enough resources to make 1907 Proof Sets. When Proof Set production resumed in 1908 all of the silver coins, including the 1908 One Peso, were struck in the newly authorized reduced weight and fineness. 1908 was the last year of production for Philippine Proof coins and the only year that the reduced size and weight One Peso was struck in Proof. The 1908 (P) One Peso is a PROOF ONLY ISSUE with a mintage of 500 coins.
  All business strikes of the Reduced Size and Weight One Peso were made at the San Francisco Mint and have an "S" mint mark on the reverse to the left of the date. The 1908 One Peso Proof issue was struck at the Philadelphia Mint has no Mint Mark.
  Like the U.S. Silver Dollar the Philippine One Peso coin did not see wide use in daily commerce as most people preferred the convince of paper money for their larger transactions. The vast majority of 1907 - 1912 One Peso coins were stored in the vaults of the Insular Treasury as backing for Philippine paper currency.
  When Japan invaded the Philippines during World War ll it soon became apparent that the outnumbered U.S. and Philippine defenders could not adequately defend the capital. Manila was declared an open city to spare it from destruction by the Japanese and USAFFE (United States Army Forces Far East) forces withdrew to defensive positions on the Bataan peninsula and the island fortresses in Manila Bay.
  In order to prevent the gold and silver reserves of the Commonwealth of the Philippines from being captured by the Japanese, government officials hastily crated the gold and silver in the Philippine Treasury and moved it to the relative safety of the island fortress of Corregidor.
  During the siege of Corregidor U.S. submarines, outward bound on war patrol out of Pearl Harbor, would sneak through the Japanese naval blockade to bring in supplies and ammunition. After unloading their previous supplies they would take on as much gold and silver as they could cram into their storage spaces and ballast tanks. Then under cover of darkness they would break through the Japanese naval blockade and continue on their war patrols. Upon completion of their war patrols the gold and silver was off loaded at Pearl Harbor where it was transferred to surface ships for shipment to the safety of the continental United States.
  While most of the gold was successfully evacuated by submarine there was far too much silver for the subs to take out in their limited storage areas. Sixteen million Pesos (the equivalent of eight million U.S. Dollars) in silver coins could not be evacuated. In order to prevent the remaining silver coins from being captured by the Japanese they were dumped into Manila Bay. The majority of these coins were 1907 through 1912 Pesos that were being stored for use as backing for the paper money then in circulation. Since the war over 10 million Pesos have been salvaged however these sea salvaged coins are typically heavily corroded from their long immersion in salt water.
  Die Varieties: The Reduced Size and Weight One Peso has three recognized die varieties. They are: 1908-S/S (Allen number 17.03a), and 1909-S/S (Allen number 17.04a), and 1909-S/S/S (Allen number 17.04b).
  Strike Issues: "Some but not all obverses come with flattened frontal hair, and occasionally a flattened left hand. Reverses do not have clearly defined breast feathers on the eagle. Some reverses will show uneven striking." (Shafer, 1961. Page 40)
  GEM quality examples of most dates of this type coin are both rare and expensive. The least expensive dates are the 1907-S (book value $850.00 in MS65), 1908-S (book value $1,800.00 in MS65), and 1909-S (book value $1,200.00 in MS65). Choice Uncirculated examples are considerably less expensive. The 1907-S, 1908-S and 1909-S have book values of $225.00 to $250.00 in MS63.

France 100 Francs Silver Coin 1994 Dwight David Eisenhower

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Dwight David EisenhowerFrance 100 Francs Silver Coin 1994 Dwight David Eisenhower

France 100 Francs Silver Coin 1994 Dwight David Eisenhower
Commemorative issue: 50th Anniversary of the Liberation of Paris

Obverse: Portrait of General Dwight D. Eisenhower in uniform. He was a five-star general in the United States Army during World War II and served as Supreme Commander of the Allied Forces in Europe.
Lettering: RF DWIGHT DAVID EISENHOWER.
Engraver: Émile Rousseau.

Reverse: US Army Europe Patch at center & Flags of the Allied Forces in Europe during World War II under Supreme Commander Dwight D. Eisenhower.
Lettering: COMMANDANT SUPRÊME DES FORCES ALLIÉES EN EUROPE 1943-1945 1994 100F.
Edge: Smooth.

Year:        1994.
Value:       100 Francs.
Metal:       Silver (.900).
Weight:     22.2 g.
Diameter:  37 mm.
Thickness: 2.2 mm.
Shape: Round.

Commemorative coins of France: 50th Anniversary of the Liberation of Paris


100 Francs Silver Coin 1994 Marshal Koenig

100 Francs Silver Coin 1994 Dwight David Eisenhower







Dwight David Eisenhower
Dwight David "Ike" Eisenhower (October 14, 1890 – March 28, 1969) was the 34th President of the United States from 1953 until 1961. He was a five-star general in the United States Army during World War II and served as Supreme Commander of the Allied Forces in Europe. He was responsible for planning and supervising the invasion of North Africa in Operation Torch in 1942–1943 and the successful invasion of France and Germany in 1944–1945 from the Western Front. In 1951, he became the first Supreme Commander of NATO.
  Eisenhower was of Pennsylvania Dutch ancestry and was raised in a large family in Kansas by parents with a strong religious background. He graduated from West Point in 1915 and later married Mamie Doud and had two sons. After World War II, Eisenhower served as Army Chief of Staff under President Harry S. Truman and then accepted the post of President at Columbia University.
  Eisenhower entered the 1952 presidential race as a Republican to counter the non-interventionism of Senator Robert A. Taft, campaigning against "communism, Korea and corruption". He won in a landslide, defeating Democratic candidate Adlai Stevenson and temporarily upending the New Deal Coalition. Eisenhower was the first U.S. president to be constitutionally term-limited under the 22nd Amendment.
  Eisenhower's main goals in office were to keep pressure on the Soviet Union and reduce federal deficits. In the first year of his presidency, he threatened the use of nuclear weapons in an effort to conclude the Korean War; his New Look policy of nuclear deterrence prioritized inexpensive nuclear weapons while reducing funding for conventional military forces. He ordered coups in Iran and Guatemala. Eisenhower refused to send American soldiers to help France in Vietnam, although he gave the French bombers and napalm, and CIA pilots flew passenger planes to ferry French troops. CIA files released in 2005 showed that US pilots flew bombing raids with the French during Operation Castor, and two US pilots were killed during the Battle of Dien Bien Phu. Congress agreed to his request in 1955 for the Formosa Resolution, which obliged the U.S. to militarily support the pro-Western Republic of China in Taiwan and continue the ostracism of the People's Republic of China.
  After the Soviet Union launched the world's first artificial satellite in 1957, Eisenhower authorized the establishment of NASA, which led to the space race. During the Suez Crisis of 1956, Eisenhower condemned the Israeli, British and French invasion of Egypt, and forced them to withdraw. He also condemned the Soviet invasion during the Hungarian Revolution of 1956 but took no action. In 1958, Eisenhower sent 15,000 U.S. troops to Lebanon to prevent the pro-Western government from falling to a Nasser-inspired revolution. Near the end of his term, his efforts to set up a summit meeting with the Soviets collapsed because of the U-2 incident. In his January 17, 1961 farewell address to the nation, Eisenhower expressed his concerns about the dangers of massive military spending, particularly deficit spending and government contracts to private military manufacturers, and coined the term "military–industrial complex".
  On the domestic front, he covertly opposed Joseph McCarthy and contributed to the end of McCarthyism by openly invoking the modern expanded version of executive privilege. He otherwise left most political activity to his Vice President, Richard Nixon. He was a moderate conservative who continued New Deal agencies and expanded Social Security. He also launched the Interstate Highway System, the Defense Advanced Research Projects Agency (DARPA), the establishment of strong science education via the National Defense Education Act, and encouraged peaceful use of nuclear power via amendments to the Atomic Energy Act.
  Eisenhower's two terms saw considerable economic prosperity except for a sharp recession in 1958–1959. Voted Gallup's most admired man twelve times, he achieved widespread popular esteem both in and out of office. Since the late 20th century, consensus among Western scholars has consistently held Eisenhower as one of the greatest U.S. Presidents.

US Army Europe Patch
Worn from:  13 December 1944 - 2 August 1945.
The black shield, changed to dark blue when redesignated for the Headquarters U.S. Forces, European Theater in 1945, represented the darkness of oppression. The sword of liberation with rising flames represents justice by which the enemy power will be broken. Above the sword is a rainbow, emblematic of hope, containing the colors of the National Flags of the Allies. The sky blue above the rainbow represents a state of peace and tranquility to be restored to the enslaved people by the United Nations.

Background
The shoulder sleeve insignia was originally approved for the Supreme Headquarters, Allied Expeditionary Forces on 13 December 1944. It was redesignated for Headquarters, U.S. Forces, European Theater and revised to change the background color from black to dark blue on 2 August 1945. It was redesignated for the European Command on 23 June 1947. The insignia was redesignated for United States Army Europe on 7 November 1952. It was amended to include the specific shade of orange in the description on 22 July 1970. It was cancelled effective 16 July 2009. The insignia was reinstated for United States Army Europe on 7 July 2009, revoking the cancellation. The insignia was cancelled effective 17 April 2010. It was reinstated on 21 January 2011.

France 100 Francs Silver Coin 1994 French Marshal Alphonse Juin

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French General Alphonse Juin, Marshal of FranceFrance 100 Francs Silver Coin 1994 French Marshal Alphonse Juin

France 100 Francs Silver Coin 1994 French Marshal Alphonse Juin
Commemorative issue: 50th Anniversary of the Liberation of Paris

Obverse: French General (Marshal of France) Alphonse Juin; Map of Italy at right, mountain top building and five stars (Military rank insignia of the French Army - "Général d'armée - army general")
Lettering: ROMA - CASSINO - NAPOLI - SALERNO - ALPHONSE JUIN
Engraver: Émile Rousseau.

Reverse: Monte Cassino in ruins after Allied bombing in February 1944 (Battle of Monte Cassino)
Lettering: MONTE CASSINO . JANVIER RÉPUBLIQUE FRANÇAISE 100F 1994
Edge: Smooth.

Year: 1994.
Value: 100 Francs.
Metal: Silver (.900).
Weight: 22.2 g.
Diameter:  37 mm.
Thickness: 2.2 mm.
Shape: Round.

Commemorative coins of France: 50th Anniversary of the Liberation of Paris



100 Francs Silver Coin 1994 French Marshal Alphonse Juin








Alphonse Juin
Alphonse Pierre Juin (16 December 1888 – 27 January 1967) was a Marshal of France. A graduate of the Saint-Cyr class of 1912, he served in Morocco in 1914 in command of native troops. Upon the outbreak of the First World War, he was sent to the Western Front in France, where he was gravely wounded in 1915. As a result of this wound, he lost the use of his right arm.
  After the war, he attended the École Supérieure de Guerre. He chose to serve in North Africa again. After the outbreak of the Second World War, he assumed command of a division, the 15e Division d'Infantrie Motorisée (fr). The division was encircled in the Lille pocket during the Battle of France and Juin was captured. He was a prisoner of war until he was released at the behest of the Vichy Government in 1941, and was assigned to command French forces in North Africa.
  After Operation Torch, the invasion of Algeria and Morocco by British and American forces in November 1942, Juin ordered French forces in Tunisia to resist the Germans and the Italians. His great skills were exhibited during the Italian campaign as commander of the French Expeditionary Corps. His expertise in mountain warfare was crucial in breaking the Gustav Line, which had held up the Allied advance for six months. it has also been alleged, however, that he instigated the Marocchinate by telling the Goumiers (in order to motivate them) that they would be allowed to rape and pillage if they succeeded in battle.
  Following this assignment he was Chief of Staff of French forces, and represented France at the San Francisco Conference. In 1947 he returned to Africa as the Resident General in Morocco, where he opposed Moroccan attempts to gain independence. Next came a senior NATO position as he assumed command of CENTAG until 1956. During his NATO command, he was promoted to Marshal of France in 1952. He was greatly opposed to Charles De Gaulle's decision to grant independence to Algeria, and was "retired" in 1962 as a result. He was the French Army's last living Marshal of France until his death in Paris in 1967, when he was buried in Les Invalides.

Battle of Monte Cassino
The Battle of Monte Cassino (also known as the Battle for Rome and the Battle for Cassino) was a costly series of four assaults by the Allies against the Winter Line in Italy held by Axis forces during the Italian Campaign of World War II. The intention was a breakthrough to Rome.
  At the beginning of 1944, the western half of the Winter Line was being anchored by Germans holding the Rapido-Gari, Liri, and Garigliano valleys and some of the surrounding peaks and ridges. Together, these features formed the Gustav Line. Monte Cassino, a historic hilltop abbey founded in AD 529 by Benedict of Nursia, dominated the nearby town of Cassino and the entrances to the Liri and Rapido valleys. Lying in a protected historic zone, it had been left unoccupied by the Germans. They had, however, manned some positions set into the steep slopes below the abbey's walls.
  Repeated pinpoint artillery attacks on Allied assault troops caused their leaders to conclude the abbey was being used by the Germans as an observation post, at the least. Fears escalated along with casualties, and in spite of a lack of clear evidence, it was marked for destruction. On 15 February American bombers dropped 1,400 tons of high explosives, creating widespread damage. The raid failed to achieve its objective, as German paratroopers occupied the rubble and established excellent defensive positions amid the ruins.
  Between 17 January and 18 May, Monte Cassino and the Gustav defences were assaulted four times by Allied troops, the last involving twenty divisions attacking along a twenty-mile front. The German defenders were finally driven from their positions, but at a high cost. The capture of Monte Cassino tolled some 55,000 Allied casualties, with German losses being far fewer, estimated at around 20,000 killed and wounded.

France 100 Francs Silver Coin 1995 The Lumière Brothers, Pioneers of Cinema

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The Lumière Brothers, Pioneers of CinemaFrance 100 Francs Silver Coin 1995 100th Anniversary of Cinema

France 100 Francs Silver Coin 1995 The Lumière Brothers, Pioneers of Cinema
Commemorative issue: 100th Anniversary of Cinema.

Obverse: The Lumière Brothers, Pioneers of Cinema
Lettering: CENTENAIRE DU CINÉMA FRÈRES LUMIÈRE
Engraver: Atelier de Paris.

Reverse: Lumière Cinématographe Camera (Cinématographe Lumière at the Institut Lumière, France)
Lettering: LIBERTÉ ÉGALITÉ FRATERNITÉ RF 100 FRANCS 1995
Edge: Smooth.

Value: 100 Francs.
Metal: Silver (.900).
Weight: 22.2 g.
Diameter: 37 mm.
Thickness: 2.2 mm.
Shape: Round.

Commemorative coins of France
100th Anniversary of Cinema

Lumière Brothers    Federico Fellini    Alfred Hitchcock    







Brothers Auguste and Louis Lumière
The Lumière (brothers, Auguste Marie Louis Nicolas (19 October 1862, Besançon, France – 10 April 1954, Lyon) and Louis Jean (5 October 1864, Besançon, France – 6 June 1948, Bandol), were the first filmmakers in history. They patented the cinematograph, which in contrast to Edison's "peepshow" kinetoscope allowed simultaneous viewing by multiple parties.
  Their first film Workers Leaving The Lumière Factory in Lyon (French: La Sortie de l'Usine Lumière à Lyon, 1895) is considered the "first true motion picture."

  The Lumière brothers were born in Besançon, France to Charles-Antoine Lumière (1840-1911) and Jeanne Joséphine Costille Lumière, who were married in 1861 and moved to Besancon, setting up a small photographic portrait studio where Auguste and Louise were born. They moved to Lyon in 1870, where son Edouard and three daughters were born. Auguste and Louis both attended La Martiniere, the largest technical school in Lyon. Their father Charles-Antoine set up a small factory producing photographic plates, but even with Louis and a young sister working from 5 a.m. to 11 p.m. it teetered on the verge of bankruptcy, and by 1882 it looked as if they would fail, but when Auguste returned from military service the boys designed the machines necessary to automate their father's plate production and devised a very successful new photo plate, 'etiquettes bleue', and by 1884 the factory employed a dozen workers.
  It was not until their father retired in 1892 that the brothers began to create moving pictures. They patented a number of significant processes leading up to their film camera, most notably film perforations (originally implemented by Emile Reynaud) as a means of advancing the film through the camera and projector. The original cinématographe had been patented by Léon Guillaume Bouly on 12 February 1892. The brothers patented their own version on 13 February 1895. The first footage ever to be recorded using it was recorded on March 19, 1895. This first film shows workers leaving the Lumière factory.
  The Lumières brothers saw film as a novelty and had withdrawn from the film business in 1905. They went on to develop the first practical photographic color process, the Lumière Autochrome.

First film screenings
The Lumières held their first private screening of projected motion pictures in 1895. The American Woodville Latham had screened works of film seven months earlier, but the first public screening of films at which admission was charged was held on December 28, 1895, at Salon Indien du Grand Café in Paris. This history-making presentation featured ten short films, including their first film, Sortie des Usines Lumière à Lyon (Workers Leaving the Lumière Factory). Each film is 17 meters long, which, when hand cranked through a projector, runs approximately 50 seconds.
  It is believed their first film was actually recorded that same year (1895) with Léon Bouly's cinématographe device, which was patented the previous year. The cinématographe — a three-in-one device that could record, develop, and project motion pictures — was further developed by the Lumières.
  The public debut at the Grand Café came a few months later and consisted of the following ten short films (in order of presentation):

 1. La Sortie de l'Usine Lumière à Lyon (literally, "the exit from the Lumière factory in Lyon", or, under its more common English title, Workers Leaving the Lumiere Factory), 46 seconds
 2. Le Jardinier (l'Arroseur Arrosé) ("The Gardener", or "The Sprinkler Sprinkled"), 49 seconds
 3. Le Débarquement du Congrès de Photographie à Lyon ("the disembarkment of the Congress of Photographers in Lyon"), 48 seconds
 4. La Voltige ("Horse Trick Riders"), 46 seconds
 5. La Pêche aux poissons rouges ("fishing for goldfish"), 42 seconds
 6. Les Forgerons ("Blacksmiths"), 49 seconds
 7. Repas de bébé ("Baby's Breakfast" (lit. "baby's meal")), 41 seconds
 8. Le Saut à la couverture ("Jumping Onto the Blanket"), 41 seconds
 9. La Places des Cordeliers à Lyon ("Cordeliers Square in Lyon"—a street scene), 44 seconds
 10. La Mer (Baignade en mer) ("the sea [bathing in the sea]"), 38 seconds

The Lumières went on tour with the cinématographe in 1896, visiting Brussels (the first place a movie was played outside Paris on the Galleries Saint-Hubert on March 1. 1896), Bombay, London, Montreal, New York and Buenos Aires.

The moving images had an immediate and significant influence on popular culture with L'Arrivée d'un Train en Gare de la Ciotat (literally, "the arrival of a train at La Ciotat", but more commonly known as Arrival of a Train at a Station) and Carmaux, défournage du coke (Drawing out the coke). Their actuality films, or actualités, are often cited as the first, primitive documentaries. They also made the first steps towards comedy film with the slapstick of L'Arroseur Arrosé.

Early color photography
The brothers stated that "the cinema is an invention without any future" and declined to sell their camera to other filmmakers such as Georges Méliès. This made many film makers upset. Consequently, their role in the history of film was exceedingly brief. In parallel with their cinema work they experimented with colour photography. They worked on a number of colour photographic processes in the 1890s including the Lippmann process (interference heliochromy) and their own 'bichromated glue' process, a subtractive colour process, examples of which were exhibited at the Exposition Universelle in Paris in 1900. This last process was commercialised by the Lumieres but commercial success had to wait for their next colour process. In 1903 they patented a colour photographic process, the "Autochrome Lumière", which was launched on the market in 1907. Throughout much of the 20th century, the Lumière company was a major producer of photographic products in Europe, but the brand name, Lumière, disappeared from the marketplace following merger with Ilford. They also invented the color plate which really got photography on the road.

France 100 Francs Silver Coin 1995 Georges Melies, French filmmaker

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Georges Melies, French filmmakerFrance 100 Francs Silver Coin 1995 100th Anniversary of Cinema

France 100 Francs Silver Coin 1995 Georges Melies
Commemorative issue: 100th Anniversary of Cinema.

Obverse: Georges Méliès, the famous French filmmaker and innovator
Lettering: CENTENAIRE DU CINÉMA GEORGES MÉLIÈS
Engraver: Atelier de Paris.

Reverse: Lumière Cinématographe Camera (Cinématographe Lumière at the Institut Lumière, France)
Lettering: LIBERTÉ ÉGALITÉ FRATERNITÉ RF 100 FRANCS 1995
Edge: Smooth.

Value: 100 Francs.
Metal: Silver (.900).
Weight: 22.2 g.
Diameter: 37 mm.
Thickness: 2.2 mm.
Shape: Round.

Commemorative coins of France
100th Anniversary of Cinema




Jean Renoir       Marcel Pagnol       Georges Melies




Georges Méliès, French filmmaker
Georges Méliès, (born December 8, 1861, Paris, France — died January 21, 1938, Paris), early French experimenter with motion pictures, the first to film fictional narratives.
  When the first genuine movies, made by the Lumière brothers, were shown in Paris in 1895, Méliès, a professional magician and manager-director of the Théâtre Robert-Houdin, was among the spectators. The films were scenes from real life having the novelty of motion, but Méliès saw at once their further possibilities. He acquired a camera, built a glass-enclosed studio near Paris, wrote scripts, designed ingenious sets, and used actors to film stories. With a magician’s intuition, he discovered and exploited the basic camera tricks: stop motion, slow motion, dissolve, fade-out, superimposition, and double exposure.
  From 1899 to 1912 Méliès made more than 400 films, the best of which combine illusion, comic burlesque, and pantomime to treat themes of fantasy in a playful and absurd fashion. He specialized in depicting extreme physical transformations of the human body (such as the dismemberment of heads and limbs) for comic effect. His films included pictures as diverse as Cléopâtre (1899; “Cleopatra”), Le Christ marchant sur les eaux (1899; “Christ Walking on the Waters”), Le Voyage dans la lune (1902; “A Trip to the Moon”), Le Voyage à travers l’impossible (1904; “The Voyage Across the Impossible”); and Hamlet (1908). He also filmed studio reconstructions of news events as an early kind of newsreel. It never occurred to him to move the camera for close-ups or long shots. The commercial growth of the industry forced him out of business in 1913, and he died in poverty.

France 100 Francs Silver Coin 1995 French Filmmaker Marcel Pagnol

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French Filmmaker Marcel PagnolFrance 100 Francs Silver Coin 1995 100th Anniversary of Cinema

France 100 Francs Silver Coin 1995 French Filmmaker Marcel Pagnol
Commemorative issue: 100th Anniversary of Cinema.

Obverse: Marcel Pagnol (1895-1974) was a French novelist, playwright, and filmmaker.
Lettering: CENTENAIRE DU CINÉMA MARCEL PAGNOL
Engraver: Atelier de Paris.

Reverse: Lumière Cinématographe Camera (Cinématographe Lumière at the Institut Lumière, France)
Lettering: LIBERTÉ ÉGALITÉ FRATERNITÉ RF 100 FRANCS 1995
Edge: Smooth.

Value: 100 Francs.
Metal: Silver (.900).
Weight: 22.2 g.
Diameter: 37 mm.
Thickness: 2.2 mm.
Shape: Round.

Commemorative coins of France
100th Anniversary of Cinema




Jean Renoir       Marcel Pagnol       Georges Melies




Marcel Pagnol
Marcel Pagnol (28 February 1895 – 18 April 1974) was a French novelist, playwright, and filmmaker. In 1946, he became the first filmmaker elected to the Académie française. Although his work is less fashionable than it once was, Pagnol is still generally regarded as one of France's greatest 20th-century writers and is notable for the fact that he excelled in almost every medium — memoir, novel, drama and film.

Marcel Pagnol was born on 28 February 1895 in Aubagne, Bouches-du-Rhône département, in southern France near Marseille, the eldest son of schoolteacher Joseph PagnolA and seamstress Augustine Lansot. Marcel Pagnol grew up in Marseille with his younger brothers Paul and René, and younger sister Germaine.
  In July 1904, the family rented the Bastide Neuve, – a house in the sleepy Provençal village of La Treille – for the summer holidays, the first of many spent in the hilly countryside between Aubagne and Marseille. About the same time, Augustine's health, which had never been robust, began to noticeably decline and on 16 June 1910 she succumbed to a chest infection ("mal de poitrine") and died, aged 36. Joseph remarried in 1912.
  In 1913, at the age of 18, Marcel passed his baccalaureate in philosophy and started studying literature at the University in Aix-en-Provence. When World War I broke out, he was called up into the infantry at Nice but in January 1915 he was discharged because of his poor constitution ("faiblesse de constitution''). On 2 March 1916, he married Simone Colin in Marseille and in November graduated in English. He became an English teacher, teaching in various local colleges and at a lycée in Marseille.

Career
Time in Paris
In 1922, he moved to Paris, where he taught English until 1927, when he decided instead to devote his life to playwriting. During this time, he belonged to a group of young writers, in collaboration with one of whom, Paul Nivoix, he wrote the play, Merchants of Glory, which was produced in 1924. This was followed, in 1928, by Topaze, a satire based on ambition. Exiled in Paris, he returned nostalgically to his Provençal roots, taking this as his setting for his play, Marius, which later became the first of his works to be adapted into a film in 1931.
  Separated from Simone Collin since 1926 (though not divorced until 1941), he formed a relationship with the young English dancer Kitty Murphy: their son, Jacques Pagnol, was born on 24 September 1930. (Jacques later became his father's assistant and subsequently a cameraman for France 3 Marseille.)

Filmmaking career
In 1926, on a visit to London, Pagnol attended a screening of one of the first talking films and he was so impressed that he decided to devote his efforts to cinema. He contacted Paramount Picture studios and suggested adapting his play Marius for cinema. This was directed by Alexander Korda and released on 10 October 1931. It became one of the first successful French-language talking films.
  In 1932 Pagnol founded his own film production studios in the countryside near Marseille. Over the next decade Pagnol produced his own films, taking many different roles in the production – financier, director, script writer, studio head, and foreign-language script translator – and employing the greatest French actors of the period. On 4 April 1946, Pagnol was elected to the Académie française, taking his seat in March 1947, the first filmmaker to receive this honour.

Themes of Pagnol's films
In his films, Pagnol transfers his playwriting talents onto the big screen. His editing style is somberly reserved, placing emphasis on the content of an image. As a pictorial naturalist, Pagnol relies on film as art to convey a deeper meaning rather than solely as a tool to tell a story. Pagnol also took great care in the type of actors he employed, hiring local actors to appear in his films to highlight their unique accents and culture. Like his plays, Pagnol's films emphasize dialogue and musicality. The themes of many of Pagnol's films revolve around the acute observation of social rituals. Using interchangeable symbols and recurring character roles, such as proud fathers and rebellious children, Pagnol illuminates the provincial life of the lower class. Notably, Pagnol also frequently compares women and land, showing both can be barren or fertile. Above all, Pagnol uses all this to illustrate the importance of human bonds and their renewal.

As a novelist
In 1945, Pagnol remarried, to actress Jacqueline Pagnol. They had two children together, Frédéric (born 1946) and Estelle (born 1949). Estelle died at the age of two. Pagnol was so devastated that he fled the south and returned to live in Paris. He went back to writing plays, but after his next piece was badly received he decided to change his job once more and began writing a series of autobiographical novels – Souvenirs d'enfance– based on his childhood experiences.
  In 1957, the first two novels in the series, La Gloire de mon père and Le château de ma mère were published to instant acclaim. The third Le Temps des secrets was published in 1959, though the fourth Le Temps des Amours was to remain unfinished and was not published until 1977, after his death. In the meantime, Pagnol turned to a second series, L'Eau des Collines – Jean de Florette and Manon des Sources– which focused on the machinations of Provençal peasant life at the beginning of the twentieth century and were published in 1962.
  Pagnol adapted his own film Manon des Sources, with his wife, Jacqueline, in the title role, into two novels, Jean de Florette and Manon des Sources, collectively titled L'Eau des Collines.

Death
Marcel Pagnol died in Paris on 18 April 1974. He is buried in Marseille at the cemetery La Treille, along with his mother, father, brothers, and wife. His boyhood friend, David Magnan (Lili des Bellons in the autographies), died at the Second Battle of the Marne in July 1918, and is buried nearby.

France 100 Francs Silver Coin 1995 Jean Renoir, French film director

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Jean Renoir, French film directorFrance 100 Francs Silver Coin 1995 100th Anniversary of Cinema

France 100 Francs Silver Coin 1995 Jean Renoir, French film director
Commemorative issue: 100th Anniversary of Cinema.

Obverse: Jean Renoir, French film director
Lettering: CENTENAIRE DU CINÉMA JEAN RENOIR
Engraver: Atelier de Paris.

Reverse: Lumière Cinématographe Camera (Cinématographe Lumière at the Institut Lumière, France)
Lettering: LIBERTÉ ÉGALITÉ FRATERNITÉ RF 100 FRANCS 1995
Edge: Smooth.

Value: 100 Francs.
Metal: Silver (.900).
Weight: 22.2 g.
Diameter: 37 mm.
Thickness: 2.2 mm.
Shape: Round.

Commemorative coins of France
100th Anniversary of Cinema




Jean Renoir       Marcel Pagnol       Georges Melies




Jean Renoir
Marcel Paul Pagnol, (born Feb. 25, 1895, Aubagne, France — died April 18, 1974, Paris), French writer and motion-picture producer-director who won both fame as the master of stage comedy and critical acclaim for his filmmaking. He was elected to the French Academy in 1946, the first filmmaker to be so honoured.
  Pagnol’s father was superintendent of the town’s schools, and Pagnol likewise trained for a teaching career. He obtained his teacher’s diploma from the faculty of letters of the University of Montpellier. He wrote poetry, novels, and plays while working as a teacher. After World War I Pagnol published the novel Pirouettes and had several plays produced in the provinces. He transferred to teach at a school in Paris in 1922, and there, three years later, his play Les Marchands de gloire (1925; The Merchants of Glory), written with Paul Nivoix, opened to high critical praise. Because of its unpopular subject matter, war profiteering, the play did not have wide appeal and closed after a few performances. Undaunted, Pagnol finally in 1926 had a hit with Jazz, which won both critical and popular success. Topaze (1928) secured Pagnol’s reputation as a major French playwright. Topaze ran for two years in Paris and was later adapted for the Broadway stage and made into a film in 1933. His next three comedies — Marius (1929), Fanny (1931), and César (1936), known as the Marseille trilogy — deal with the lives of a Marseille fishmonger, Fanny, her lover Marius who goes off to sea, César the father, and his friend Panisse. The salty language of the people and Pagnol’s ability to capture the atmosphere of the port at Marseille made the plays universally appealing, and the films made from them influenced the later Neorealists. The plays also inspired the Broadway musical Fanny, which was later adopted into a motion picture.
  In 1931 Pagnol decided to become a filmmaker. He opened his own movie studio in 1933 and went on to direct such award-winning films as Angèle (1934), Regain (1937; Harvest), La Femme du boulanger (1938; The Baker’s Wife), La Fille du puisatier (1940; The Well Digger’s Daughter), and Les Lettres de mon moulin (1954; Letters from My Windmill). His films are set in Provence and were often adapted from stories by Jean Giono. They depict the lives of the farmers and shopkeepers of rural southern France and feature tightly constructed plots and realistic dialogue. Pagnol wrote extensively on filmmaking and was the author of three autobiographical volumes.

France 100 Francs Silver Coin 1995 Leon Gaumont

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GaumontFrance 100 Francs Silver Coin 1995 100th Anniversary of Cinema

France 100 Francs Silver Coin 1995 Leon Gaumont
Commemorative issue: 100th Anniversary of Cinema

Obverse: Léon Gaumont (1864 – 1946) was a French inventor, engineer, and industrialist who was a pioneer of the motion picture industry.
Lettering: CENTENAIRE DU CINÉMA LÉON GAUMONT.
Engraver: Atelier de Paris.

Reverse: Lumière Cinématographe Camera (Cinématographe Lumière at the Institut Lumière, France)
Lettering: LIBERTÉ ÉGALITÉ FRATERNITÉ RF 100 FRANCS 1995
Edge: Smooth.

Value: 100 Francs.
Metal: Silver (.900).
Weight: 22.2 g.
Diameter: 37 mm.
Thickness: 2.2 mm.
Shape: Round.

Commemorative coins of France
100th Anniversary of Cinema



Gerard Philipe    Arletty    Yves Montand    Leon Gaumont    





Léon Gaumont
Léon Gaumont (May 10, 1864 – August 9, 1946) was a French inventor, engineer, and industrialist who was a pioneer of the motion picture industry.

  Léon Ernest Gaumont, born in Semblancay, Indre-et-Loire was gifted with a mechanical mind which led him to employment manufacturing precision instruments. From early childhood, he was fascinated by the technique of photography. When he was offered a job at the Comptoir géneral de photographie in 1893, he jumped at the opportunity. His decision proved fortunate when two years later he was given the chance to acquire the business. In August 1895, he partnered with the astronomer fr:Joseph Vallot, the famous engineer Gustave Eiffel, and the financier Alfred Besnier to make the purchase. Their business entity, called L. Gaumont et Cie, has survived in one form or another to become the world's oldest surviving film company extant. The company logo was the distinctive "Marguerite" (named after his mother), a type of flower similar to the daisy. The company had extensive studios (La Cite L'Elge) in the Buttes Chaumont District of Paris, and a smaller operation in Nice, France.
  Léon Gaumont's company sold camera equipment and film, but in 1897 inaugurated a motion picture production business. Initially, Gaumont made films for the picture arcade business such as those operated by the Lumière brothers, but it was under the direction of Alice Guy (Gaumont's secretary - First Woman Film Director), that they began making short films based on narrative scripts. Louis Feuillade (Judex, Les Vampires, Fantomas) was to follow as the Studio Director when Guy left for Fort, Lee, New Jersey, where she subsequently opened her own production company—Solax Films) and it was then that Gaumont rapidly expanded the business into cinematographic equipment for amateurs. Within a few years, Gaumont's company ranked second only to Pathé Frères in the field of French Cinema. In 1903, Gaumont was granted patents for his Chronophonographe and loudspeaker system designed to work with his sound-on-disc talking pictures: the chronophone. The Etablissements Gaumont was founded in 1906 to handle film production and distribution plus to build a chain of movie theaters including the giant Gaumont Palace (Place Clichy - former "Hippodrome) in Paris (largest in the world at the time). By 1910 Léon Gaumont had improved his synchronous sound invention to the point where he was able to provide enough volume for up to 4000 people in a theater. In 1912, Gaumont developed a color process for film.
  One of the two dominant forces in film in all of Europe, World War I profoundly affected Leon Gaumont's business fortunes (over 300 employees were drafted, Nitrate Emulsion film stocks dwindled because of the need for nitro-cellulous in the munitions industry); nevertheless, before retiring in 1930, he had built one of the most important film companies in cinema history.
  Upon his retirement to Provence, a restructuring of corporate ownership took place through financing provided by the Banque Nationale de Crédit and with a capital stock issue in the name of a new company called Gaumont-Franco-Film-Aubert (GFFA). Four years later, a scandal erupted following the collapse of the Banque Nationale de Crédit and GFFA was forced to file for bankruptcy protection.
  Léon Gaumont died in 1946 in Sainte-Maxime, in the Provence-Alpes-Côte d'Azur region of France, and was buried in the Cimetière de Belleville in Paris. In 1995, on the 100th anniversary of French film, a commemorative 100 Franc coin was issued with Léon Gaumont's image.

Gaumont Film Company
Gaumont Film Company is a French mini-major film studio founded by the engineer-turned-inventor Léon Gaumont (1864–1946). It is the first and oldest film company in the world, founded before other studios such as Pathé, founded in 1896, Titanus founded in 1904, as well as Nordisk Film, founded in 1906, and Universal Studios and Paramount Pictures, which were both founded in 1912. Gaumont predominantly produces, co-produces, and distributes films. (95% of Gaumont's 2011 consolidated revenues came from the film division.) However, the company is increasingly becoming a TV series producer with its new American subsidiary Gaumont International Television as well as its existing French production features.

France 100 Francs Silver Coin 1995 Yves Montand, French actor and singer

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Yves Montand, French actor and singerFrance 100 Francs Silver Coin 1995 100th Anniversary of Cinema

France 100 Francs Silver Coin 1995 Yves Montand, French actor and singer
Commemorative issue: 100th Anniversary of Cinema.

Obverse: Yves Montand (1921 – 1991) was an Italian-born French actor and singer.
Lettering: CENTENAIRE DU CINÉMA YVES MONTAND
Engraver: Atelier de Paris.

Reverse: Lumière Cinématographe Camera (Cinématographe Lumière at the Institut Lumière, France)
Lettering: LIBERTÉ ÉGALITÉ FRATERNITÉ RF 100 FRANCS 1995
Edge: Smooth.

Value: 100 Francs.
Metal: Silver (.900).
Weight: 22.2 g.
Diameter: 37 mm.
Thickness: 2.2 mm.
Shape: Round.

Commemorative coins of France
100th Anniversary of Cinema



Gerard Philipe    Arletty    Yves Montand    Leon Gaumont    





Yves Montand
Yves Montand, original name Ivo Livi (born October 13, 1921, Monsummano Alto, Italy — died November 9, 1991, Senlis, France), French stage and film actor and popular cabaret singer.
  Though considered by many to be the quintessence of worldly Gallic charm, Montand was actually born in Italy to peasants who fled to Marseille when he was two years of age to escape the Fascist regime of Benito Mussolini. At 18, he was singing in music halls, supplementing his income by working as a longshoreman.
  In Paris, as the protégé of famous chanteuse Edith Piaf, he appeared in the 1945 motion picture Étoile sans lumière (Star Without Light). He married actress Simone Signoret in 1951. His role in La Salaire de la peur (1953; Wages of Fear) brought him international fame. His autobiography, Du Soleil plein la tête (Sunshine Fills my Mind), was published in 1955, before he gave his most acclaimed performances in La Guerre est finie (1966; The War Is Over) and two films by director Costa-Gavras: Z (1968) and L’Aveu (1970; The Confession). His performances in Claude Berri’s film adaptations of two novels by Marcel Pagnol — Jean de Florette (1986) and its sequel, Manon des Sources (1986; Manon of the Spring) — were also highly acclaimed.
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